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Analyzing artistic performances, social performances, archival remains, and memoirs, this study presents the activities of a group of artists operating in 1960s New York as a form of labor that both anticipates and postpones theater production proper.

Produktbeschreibung
Analyzing artistic performances, social performances, archival remains, and memoirs, this study presents the activities of a group of artists operating in 1960s New York as a form of labor that both anticipates and postpones theater production proper.
Autorenporträt
Giulia Palladini is a postdoctoral fellow at Universitat Erfurt.