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A breakthrough in occult studies that combines modern sigil techniques with traditional Enochian Magick and appeals to all levels of ritual magick practitioners, explorers of consciousness, scholars, dowsers, and tantric yoga practitioners Author and magick practitioner Robert Podgurski shares his discovery and development of the Grid Sigil--a tool for exploring the mysteries of embodiment and unity that bridges Enochian Magick with Sparean sigilization. Properly constructed, it emanates the root energies of the four elements bound by spirit in the space/time continuum. This text offers…mehr

Produktbeschreibung
A breakthrough in occult studies that combines modern sigil techniques with traditional Enochian Magick and appeals to all levels of ritual magick practitioners, explorers of consciousness, scholars, dowsers, and tantric yoga practitioners Author and magick practitioner Robert Podgurski shares his discovery and development of the Grid Sigil--a tool for exploring the mysteries of embodiment and unity that bridges Enochian Magick with Sparean sigilization. Properly constructed, it emanates the root energies of the four elements bound by spirit in the space/time continuum. This text offers readers a variety of techniques for using the Grid Sigil and is an essential guidebook for understanding the connection between Enochian Magick, geomagnetism, shamanism, and other facets of Eastern and Western esotericism. Close attention is paid to critical metaphysical thought through in-depth analysis based in science, metaphysics, philosophical speculation, and illustrations.
Autorenporträt
ROBERT PODGURSKI has been studying and practicing magick, qi gong, and yoga for over thirty years. He is engaged in a syncretic lifelong pursuit examining the history, practice and genesis of hermeticism, magick, alchemy, the Cabala, Tantra, and western esoteric studies. He regularly lectures and conducts workshops on Sigils, Occult theory and poetry. His essays have appeared in various journals such as The Fenris Wolf, Starfire , The Qliphothic Opus III, Abraxas, Cauda Pavonis, and The Italian Quarterly.