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A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.

Produktbeschreibung
A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.
Autorenporträt
David C. H. Wright became Reader in the Social History of Music at the Royal College of Music, London after a professional life spent in both music college and university environments. His writings range from the culture and economics of Victorian music publishing to the Prom seasons of William Glock and Robert Ponsonby in The Proms: A New History (2007). In 2013, he published a social and cultural history of the Associated Boards of the Royal Schools of Music.