The Routledge Handbook to Music under German Occupation, 1938-1945
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Following their entry into Austria and the Sudetenland, the Germans attempted to impose a policy of cultural imperialism on countries they occupied during the World War II. Almost all music institutions came under their control. The objective being to change the musical fabric of these nations and subject them to the strictures of Nazi ideology.

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Produktbeschreibung
Following their entry into Austria and the Sudetenland, the Germans attempted to impose a policy of cultural imperialism on countries they occupied during the World War II. Almost all music institutions came under their control. The objective being to change the musical fabric of these nations and subject them to the strictures of Nazi ideology.
Autorenporträt
David Fanning is Professor of Music at the University of Manchester and author and editor of books, articles and critical editions on Nielsen, Shostakovich, Weinberg, Expressionism and the 20th-century symphonic tradition. An experienced chamber music pianist and accompanist, he is also active as a critic for Gramophone and the Daily Telegraph. Erik Levi is Visiting Professor of Music at Royal Holloway, University of London. He is author and editor of several books relating to music during the Weimar Republic and the Third Reich and is active as a broadcaster and critic for BBC Music Magazine. Amongst his recent publications are Music and Displacement, co-edited with Florian Scheding (2010); Mozart and the Nazis (2010); The Impact of Nazism on Twentieth-Century Music (2014); and Hanns Eisler and England (2014).