The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communication as a key concept for museum studies and as a sensitizing lens for media-related museum practice on the ground.
The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communication as a key concept for museum studies and as a sensitizing lens for media-related museum practice on the ground.
Kirsten Drotner is Professor of Media Studies in the Department for the Study of Culture at the University of Southern Denmark and founding director of the research programmes Our Museum and DREAM. Author or editor of 30 books, her research interests include media history, media and information literacies, digital creativities, and museum communication. Her most recent book is Museum Communication and Social Media: The Connected Museum (co-edited, Routledge, 2013). Vince Dziekan is a Senior Academic and Practitioner-Researcher at Monash Art Design & Architecture (MADA), Monash University, Australia, whose work engages in an interdisciplinary way with the transformation of contemporary curatorial practices at the intersection of design, creative technology and museum culture. He is the author of Virtuality and the Art of Exhibition (2012); associate editor of Curator: The Museum Journal; and curator of MWX, the exhibition initiative of Museums and the Web. Ross Parry is Professor of Museum Studies at the University of Leicester, United Kingdom. A Principal Fellow of the Higher Education Academy, he has been a Tate Research Fellow, Chair of the Museums Computer Group, and is one of the founding Trustees of the Jodi Mattes Trust - for accessible digital culture. His works include Recoding the Museum: Digital Heritage and the Technologies of Change (Routledge, 2007), Museums in a Digital Age (editor, Routledge, 2009). Kim Christian Schrøder is Professor of Communication at the Department of Communication and Arts, Roskilde University, Denmark. His books in English include Audience Transformations: Shifting Audience Positions in Late Modernity (co-edited, 2014), Museum Communication and Social Media: The Connected Museum (co-edited 2013), and Researching Audiences (co-authored, 2003). His research interests comprise the analysis of audience uses and experiences of media. His recent work explores mixed methods for mapping news consumption.
Inhaltsangabe
Contents List of figures List of tables List of contributors Acknowledgements Volume introduction: MEDIA, MEDIATIZATION AND MUSEUMS: A NEW ENSEMBLE Section 1: FOUNDATIONS 1.0 Section introduction 1.1 Walk-in media: International exhibitions as media space 1.2 The museum as a media producer: Innovation before the digital age 1.3 Revisiting the utopian promise of interpretive media: An autoethnographic analysis drawn from art museums, 1991-2017 1.4 Online collections, curatorial agency and machine-assisted curating 1.5 Visitor and audience research in museums Section 2: ENVIRONMENTS 2.0 Section introduction 2.1 Rethinking museum/community partnerships: Science and natural history museums and the challenges of communicating climate change 2.2 Mobile media, mobility and mobilisation in the current museum field 2.3 Learning and engagement in museum mediascapes 2.4 The museum as an arena for cultural citizenship: Exploring modes of engagement for audience empowerment 2.5 The museum as a charged space: The duality of digital museum communication Section 3: PRACTICES 3.0 Section introduction 3.1 From elsewhere to everywhere: Evolving the distributed museum into the pervasive museum 3.2 Digital media ethics and museum communication 3.3 Complexities of collaborating: Understanding and managing differences in collaborative design of museum communication 3.4 Participation in design and changing practices of museum development Section 4: VISUAL ESSAY 4.0 Incident(al) Readings Section 5: DIRECTIONS 5.0 Section introduction 5.1 Smart media: Museums in the new data terroir 5.2 The proliferation of aura: Facsimiles, authenticity and digital objects 5.3 Assets, platforms and affordances: The constitutive role of media in the museum 5.4 Feeling th
Contents List of figures List of tables List of contributors Acknowledgements Volume introduction: MEDIA, MEDIATIZATION AND MUSEUMS: A NEW ENSEMBLE Section 1: FOUNDATIONS 1.0 Section introduction 1.1 Walk-in media: International exhibitions as media space 1.2 The museum as a media producer: Innovation before the digital age 1.3 Revisiting the utopian promise of interpretive media: An autoethnographic analysis drawn from art museums, 1991-2017 1.4 Online collections, curatorial agency and machine-assisted curating 1.5 Visitor and audience research in museums Section 2: ENVIRONMENTS 2.0 Section introduction 2.1 Rethinking museum/community partnerships: Science and natural history museums and the challenges of communicating climate change 2.2 Mobile media, mobility and mobilisation in the current museum field 2.3 Learning and engagement in museum mediascapes 2.4 The museum as an arena for cultural citizenship: Exploring modes of engagement for audience empowerment 2.5 The museum as a charged space: The duality of digital museum communication Section 3: PRACTICES 3.0 Section introduction 3.1 From elsewhere to everywhere: Evolving the distributed museum into the pervasive museum 3.2 Digital media ethics and museum communication 3.3 Complexities of collaborating: Understanding and managing differences in collaborative design of museum communication 3.4 Participation in design and changing practices of museum development Section 4: VISUAL ESSAY 4.0 Incident(al) Readings Section 5: DIRECTIONS 5.0 Section introduction 5.1 Smart media: Museums in the new data terroir 5.2 The proliferation of aura: Facsimiles, authenticity and digital objects 5.3 Assets, platforms and affordances: The constitutive role of media in the museum 5.4 Feeling th
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