The Routledge Companion to Sound Studies provides both upper level students and researchers with a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field.
The Routledge Companion to Sound Studies provides both upper level students and researchers with a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field.
Michael Bull is Professor of Sound Studies at the University of Sussex. His works include Sounding Out the City: Personal Stereos and the Management of Everyday life (2000) and Sound Moves: iPod Culture and Urban Experience (2007) He has just completed a monograph on Sirens and is presently writing a monograph on Reinterpreting the Sounds of World War 1. He is the co-founding editor of the journals Senses and Society and Sound Studies (both with Routledge) and is editor of the book series The Study of Sound.
Inhaltsangabe
Introduction: Sound Studies and the Art of Listening Section 1 Introduction: Sonic Epistemologies and Debates 1. Holger Schulze: Sound As Theory 1863 - 2014: From Hermann von Helmholtz to Salome Voeglin 2. Mark Grimshaw: What is Sound Studies? 3. David Howes: Embodiment and the Senses 4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and Voice. 5. Neil Verma: The Return to Sound Aesthetics 6. Christabel Stirling: Sound, Affect, Politics Section 2Introduction: Sonic Conflicts, Concepts and Culture 7. Richard Rath: Silence and Noise 8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements 9. David Goodman: Propaganda and Sound 10. Alex Corey: Sounding Out Racial Difference 11. Marie Thompson: Gendered Sound 12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner Space 13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the Islamic State Section 3Introduction: Sonic Spaces and Places 14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes 15. Tim Edensor: The Sonic Rhythms of Place 16. Bennett Hogg: Geographies of Silence 17. Meri Kyto: Public and Private Space: Sound Transformations 18. Yiu-Fai Chow: Diaspora as Method. Music as Hope Section 4 Introduction: Sonic Skills: Finding, Recording and Researching. 19. Salome Voeglin: Technologies of Sound Art 20. Carolyn Birdsall: Found in Translation: Recording, Storing and Writing of sounds 21. Shannon Mattern: Sonic Archaeologies 22. Blake Durham: Curating Online Sounds 23. Tom Rice: Ethnographies of Sound 24. Frauke Berendt: Soundwalking 25. Paul Nataraj: Surface Tension: Sheena and Bowie's 'Station to Station' as Palimpsest. Section 5 Introduction: Technology, Culture and Sonic Experience. 26. Julian Henriques and Hillegonda C Rietveld: Echo 27. Thor Magnusson: Sound and Music in Networked Media 28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio's Early Years. 29. Jacob Smith: Remastering the Recording Angel 30. Alex Russo: Radio Sound 31. Tom Artiss: Structures of Sonic feeling. 32. Cara Wallis: Gender and the Telephonic Voice. Section 6 Introduction: Sound Connections 33. James Mansell: Ways of Hearing: Sound, Culture and History
Introduction: Sound Studies and the Art of Listening Section 1 Introduction: Sonic Epistemologies and Debates 1. Holger Schulze: Sound As Theory 1863 - 2014: From Hermann von Helmholtz to Salome Voeglin 2. Mark Grimshaw: What is Sound Studies? 3. David Howes: Embodiment and the Senses 4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and Voice. 5. Neil Verma: The Return to Sound Aesthetics 6. Christabel Stirling: Sound, Affect, Politics Section 2Introduction: Sonic Conflicts, Concepts and Culture 7. Richard Rath: Silence and Noise 8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements 9. David Goodman: Propaganda and Sound 10. Alex Corey: Sounding Out Racial Difference 11. Marie Thompson: Gendered Sound 12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner Space 13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the Islamic State Section 3Introduction: Sonic Spaces and Places 14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes 15. Tim Edensor: The Sonic Rhythms of Place 16. Bennett Hogg: Geographies of Silence 17. Meri Kyto: Public and Private Space: Sound Transformations 18. Yiu-Fai Chow: Diaspora as Method. Music as Hope Section 4 Introduction: Sonic Skills: Finding, Recording and Researching. 19. Salome Voeglin: Technologies of Sound Art 20. Carolyn Birdsall: Found in Translation: Recording, Storing and Writing of sounds 21. Shannon Mattern: Sonic Archaeologies 22. Blake Durham: Curating Online Sounds 23. Tom Rice: Ethnographies of Sound 24. Frauke Berendt: Soundwalking 25. Paul Nataraj: Surface Tension: Sheena and Bowie's 'Station to Station' as Palimpsest. Section 5 Introduction: Technology, Culture and Sonic Experience. 26. Julian Henriques and Hillegonda C Rietveld: Echo 27. Thor Magnusson: Sound and Music in Networked Media 28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio's Early Years. 29. Jacob Smith: Remastering the Recording Angel 30. Alex Russo: Radio Sound 31. Tom Artiss: Structures of Sonic feeling. 32. Cara Wallis: Gender and the Telephonic Voice. Section 6 Introduction: Sound Connections 33. James Mansell: Ways of Hearing: Sound, Culture and History
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