The Routledge Companion to Screen Music and Sound
Herausgeber: Mera, Miguel; Winters, Ben; Sadoff, Ronald
The Routledge Companion to Screen Music and Sound
Herausgeber: Mera, Miguel; Winters, Ben; Sadoff, Ronald
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The Routledge Companion to Screen Music and Sound provides a comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music" allows readers to explore the intersections between various types of media and music, reflecting the current state of scholarship and the future of the field. Covering topics drawn from musicology, sound studies, and media studies, the companion provides researchers and students with an effective overview of…mehr
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The Routledge Companion to Screen Music and Sound provides a comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music" allows readers to explore the intersections between various types of media and music, reflecting the current state of scholarship and the future of the field. Covering topics drawn from musicology, sound studies, and media studies, the companion provides researchers and students with an effective overview of music's role in narrative media, as well as new methodological and aesthetic insights.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 658
- Erscheinungstermin: 1. Juni 2017
- Englisch
- Abmessung: 257mm x 183mm x 41mm
- Gewicht: 1320g
- ISBN-13: 9781138855342
- ISBN-10: 1138855340
- Artikelnr.: 43680225
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 658
- Erscheinungstermin: 1. Juni 2017
- Englisch
- Abmessung: 257mm x 183mm x 41mm
- Gewicht: 1320g
- ISBN-13: 9781138855342
- ISBN-10: 1138855340
- Artikelnr.: 43680225
Miguel Mera is Reader in the Department of Music and Associate Dean (Research and Enterprise) at City, University of London. Ronald Sadoff is Associate Professor and Director of the Department of Music and Performing Arts Professions in the Steinhardt School at New York University. Ben Winters is Lecturer in Music at The Open University, UK.
Introduction: Framing Screen Music and Sound (MIGUEL MERA, RONALD SADOFF,
AND BEN WINTERS)
Part 1: Issues in the Study of Screen Music and Sound
1. The Ghostly Effect Revisited (K.J. DONNELLY) 2. Mystical Intimations,
the Scenic Sublime, and the Opening of the Vault: De-classicizing the
Late-romantic Revival in the Scoring of 'New Hollywood' Blockbusters c.
1977-1993 (PETER FRANKLIN) 3. Screen Music and the Question of Originality
(MIGUEL MERA) 4. Affect, Intensities, and Empathy: Sound and Contemporary
Screen Violence (LISA COULTHARD) 5. Balinese Music, an Italian Film, and an
Ethnomusicological Approach to Screen Music and Sound (MICHAEL B. BAKAN)
6. Emphatic and Ecological Sounds in Gameworld Interfaces (KRISTINE
JøRGENSEN) 7. "You Have to Feel a Sound for It to Be Effective": Sonic
Surfaces in Film and Television (LUCY FIFE DONALDSON) 8. Screen Music,
Narrative, and/or Affect: Kie¿lowski's Musical Bodies (NICHOLAS REYLAND)
9. Roundtable: Current Perspectives on Music, Sound, and Narrative in
Screen Media (ANAHID KASSABIAN - convenor) with ELENA BOSCHI, JAMES BUHLER,
CLAUDIA GORBMAN, MIGUEL MERA, ROGER MOSELEY, RONALD SADOFF, and BEN WINTERS
Part 2: Historical Approaches
10. Sound Design and Its Interactions with Music: Changing Historical
Perspectives (DANIJELA KULEZIC-WILSON) 11. Dimensions of Game Music History
(TIM SUMMERS) 12. The Changing Audio, Visual, and Narrative Parameters of
Hindi Film Songs (ANNA MORCOM) 13. From Radio to Television: Sound Style
and Audio Technique in Early TV Anthology Dramas (SHAWN VANCOUR) 14.
Manifest Destiny, The Space Race, and 1960s Television (ROBYNN J. STILWELL)
15. The Early Cinema Soundscape (RICK ALTMAN) 16. The Shock of the Old: The
Restoration, Reconstruction, or Creation of 'Mute'-Film Accompaniments
(GILLIAN B. ANDERSON) 17. Music That Works: Listening to Prestige British
Industrial Films (ANNETTE DAVISON) 18. The Fine Art of Repurposing: A Look
at Scores for Hollywood 'B' Films in the 1930s (JEFF SMITH) 19. Trailer or
Leader? The Role of Music and Sound in Cinematic Previews (JAMES DEAVILLE)
Part 3: Production and Process
20 A Star is Born: Max Steiner in the Studios, 1929-1939 (NATHAN PLATTE)
21. Sound Standings: A Brief History of the Impact of Labor and
Professional Representation on the Place of Early Sound Workers in the
Industry (1927-1937) (GIANLUCA SERGI) 22. In Sync? Music Supervisors, Music
Placement Practices, and Industrial Change (BETHANY KLEIN AND LESLIE M.
MEIER) 23. Shaping the Soundtrack? Hollywood Preview Audiences (RONALD
SADOFF AND MIGUEL MERA) 24. Craft, Art, or Process: The Question of
Creativity in Orchestration for Screen (IAN SAPIRO) 25. Post-Apartheid
Cinema (CHRISTOPHER LETCHER) 26. Simulation: Squaring the Immersion,
Realism, and Gameplay Circle (STEPHEN BAYSTED) 27. The Voice Delivers the
Threats, Foley Delivers the Punch: Embodied Knowledge in Foley Artistry
(SANDRA PAULETTO) 28. Direct Sounds, Language Swaps, and Directors' Cuts:
The Quest for Fidelity in the Film Soundtrack (EMILE WENNEKES)
Part 4: Cultural and Aesthetic Perspectives
29. From Disney to Dystopia: Transforming "Brazil" for a US Audience
(KARIANN GOLDSCHMITT) 30. Birth and Death of the Cool: The Glorious
Afflictions of Jazz on Screen (JEREMY BARHAM) 31. Home Theater(s):
Technology, Culture, and Style (MARK KERINS) 32. Drive, Speed, and
Narrative in the Soundscapes of Racing Games (KAREN COLLINS AND RUTH
DOCKWRAY) 33. Music, Genre, and Nationality in the Postmillenial Fantasy
Role-Playing Game (WILLIAM GIBBONS) 34. 'Sounding' Japanese: Traditions of
Music in Japanese Cinema (ALEXANDER BINNS) 35. Sounding Transculturation:
Western Opera in Korea during the Japanese Occupation (1910-1945)
(JEONGWON JOE) 36. Christopher Plummer Learns to Sing: The Torn
Masculinities of Mid-Century US Musicals (CARYL FLINN) 37. Music,
Whiteness, and Masculinity in Michael Mann's The Last of the Mohicans
(REBECCA FüLöP) 38. Some Assembly Required: Hybrid Scores in Moonrise
Kingdom and The Grand Budapest Hotel (KATE MCQUISTON)
Part 5: Analyses and Methodologies
39. Methods and Challenges of Analyzing Screen Media (FRANK LEHMAN)
40. From Intuition to Evidence: The Experimental Psychology of Film Music
(SIU-LAN TAN) 41. Idolizing the Synchronized Score: Studying Indiana Jones
Hypertexts (BEN WINTERS) 42. Fearful Symmetries: Music as Metaphor in
Doppelgänger Films (TOM SCHNELLER) 43. Musical Dreams and Nightmares: An
Analysis of Flower (ELIZABETH MEDINA-GRAY) 44. Reverb, Acousmata, and the
Backstage Musical (PETER DOYLE) 45. Unsettling the Soundtrack: Acoustic
Profiling and the Documentation of Community and Place (RANDOLPH JORDAN)
46. The Sound of Slime-ness: Telling Children's Stories on the Nickelodeon
Network (JENNIFER FLEEGER)
AND BEN WINTERS)
Part 1: Issues in the Study of Screen Music and Sound
1. The Ghostly Effect Revisited (K.J. DONNELLY) 2. Mystical Intimations,
the Scenic Sublime, and the Opening of the Vault: De-classicizing the
Late-romantic Revival in the Scoring of 'New Hollywood' Blockbusters c.
1977-1993 (PETER FRANKLIN) 3. Screen Music and the Question of Originality
(MIGUEL MERA) 4. Affect, Intensities, and Empathy: Sound and Contemporary
Screen Violence (LISA COULTHARD) 5. Balinese Music, an Italian Film, and an
Ethnomusicological Approach to Screen Music and Sound (MICHAEL B. BAKAN)
6. Emphatic and Ecological Sounds in Gameworld Interfaces (KRISTINE
JøRGENSEN) 7. "You Have to Feel a Sound for It to Be Effective": Sonic
Surfaces in Film and Television (LUCY FIFE DONALDSON) 8. Screen Music,
Narrative, and/or Affect: Kie¿lowski's Musical Bodies (NICHOLAS REYLAND)
9. Roundtable: Current Perspectives on Music, Sound, and Narrative in
Screen Media (ANAHID KASSABIAN - convenor) with ELENA BOSCHI, JAMES BUHLER,
CLAUDIA GORBMAN, MIGUEL MERA, ROGER MOSELEY, RONALD SADOFF, and BEN WINTERS
Part 2: Historical Approaches
10. Sound Design and Its Interactions with Music: Changing Historical
Perspectives (DANIJELA KULEZIC-WILSON) 11. Dimensions of Game Music History
(TIM SUMMERS) 12. The Changing Audio, Visual, and Narrative Parameters of
Hindi Film Songs (ANNA MORCOM) 13. From Radio to Television: Sound Style
and Audio Technique in Early TV Anthology Dramas (SHAWN VANCOUR) 14.
Manifest Destiny, The Space Race, and 1960s Television (ROBYNN J. STILWELL)
15. The Early Cinema Soundscape (RICK ALTMAN) 16. The Shock of the Old: The
Restoration, Reconstruction, or Creation of 'Mute'-Film Accompaniments
(GILLIAN B. ANDERSON) 17. Music That Works: Listening to Prestige British
Industrial Films (ANNETTE DAVISON) 18. The Fine Art of Repurposing: A Look
at Scores for Hollywood 'B' Films in the 1930s (JEFF SMITH) 19. Trailer or
Leader? The Role of Music and Sound in Cinematic Previews (JAMES DEAVILLE)
Part 3: Production and Process
20 A Star is Born: Max Steiner in the Studios, 1929-1939 (NATHAN PLATTE)
21. Sound Standings: A Brief History of the Impact of Labor and
Professional Representation on the Place of Early Sound Workers in the
Industry (1927-1937) (GIANLUCA SERGI) 22. In Sync? Music Supervisors, Music
Placement Practices, and Industrial Change (BETHANY KLEIN AND LESLIE M.
MEIER) 23. Shaping the Soundtrack? Hollywood Preview Audiences (RONALD
SADOFF AND MIGUEL MERA) 24. Craft, Art, or Process: The Question of
Creativity in Orchestration for Screen (IAN SAPIRO) 25. Post-Apartheid
Cinema (CHRISTOPHER LETCHER) 26. Simulation: Squaring the Immersion,
Realism, and Gameplay Circle (STEPHEN BAYSTED) 27. The Voice Delivers the
Threats, Foley Delivers the Punch: Embodied Knowledge in Foley Artistry
(SANDRA PAULETTO) 28. Direct Sounds, Language Swaps, and Directors' Cuts:
The Quest for Fidelity in the Film Soundtrack (EMILE WENNEKES)
Part 4: Cultural and Aesthetic Perspectives
29. From Disney to Dystopia: Transforming "Brazil" for a US Audience
(KARIANN GOLDSCHMITT) 30. Birth and Death of the Cool: The Glorious
Afflictions of Jazz on Screen (JEREMY BARHAM) 31. Home Theater(s):
Technology, Culture, and Style (MARK KERINS) 32. Drive, Speed, and
Narrative in the Soundscapes of Racing Games (KAREN COLLINS AND RUTH
DOCKWRAY) 33. Music, Genre, and Nationality in the Postmillenial Fantasy
Role-Playing Game (WILLIAM GIBBONS) 34. 'Sounding' Japanese: Traditions of
Music in Japanese Cinema (ALEXANDER BINNS) 35. Sounding Transculturation:
Western Opera in Korea during the Japanese Occupation (1910-1945)
(JEONGWON JOE) 36. Christopher Plummer Learns to Sing: The Torn
Masculinities of Mid-Century US Musicals (CARYL FLINN) 37. Music,
Whiteness, and Masculinity in Michael Mann's The Last of the Mohicans
(REBECCA FüLöP) 38. Some Assembly Required: Hybrid Scores in Moonrise
Kingdom and The Grand Budapest Hotel (KATE MCQUISTON)
Part 5: Analyses and Methodologies
39. Methods and Challenges of Analyzing Screen Media (FRANK LEHMAN)
40. From Intuition to Evidence: The Experimental Psychology of Film Music
(SIU-LAN TAN) 41. Idolizing the Synchronized Score: Studying Indiana Jones
Hypertexts (BEN WINTERS) 42. Fearful Symmetries: Music as Metaphor in
Doppelgänger Films (TOM SCHNELLER) 43. Musical Dreams and Nightmares: An
Analysis of Flower (ELIZABETH MEDINA-GRAY) 44. Reverb, Acousmata, and the
Backstage Musical (PETER DOYLE) 45. Unsettling the Soundtrack: Acoustic
Profiling and the Documentation of Community and Place (RANDOLPH JORDAN)
46. The Sound of Slime-ness: Telling Children's Stories on the Nickelodeon
Network (JENNIFER FLEEGER)
Introduction: Framing Screen Music and Sound (MIGUEL MERA, RONALD SADOFF,
AND BEN WINTERS)
Part 1: Issues in the Study of Screen Music and Sound
1. The Ghostly Effect Revisited (K.J. DONNELLY) 2. Mystical Intimations,
the Scenic Sublime, and the Opening of the Vault: De-classicizing the
Late-romantic Revival in the Scoring of 'New Hollywood' Blockbusters c.
1977-1993 (PETER FRANKLIN) 3. Screen Music and the Question of Originality
(MIGUEL MERA) 4. Affect, Intensities, and Empathy: Sound and Contemporary
Screen Violence (LISA COULTHARD) 5. Balinese Music, an Italian Film, and an
Ethnomusicological Approach to Screen Music and Sound (MICHAEL B. BAKAN)
6. Emphatic and Ecological Sounds in Gameworld Interfaces (KRISTINE
JøRGENSEN) 7. "You Have to Feel a Sound for It to Be Effective": Sonic
Surfaces in Film and Television (LUCY FIFE DONALDSON) 8. Screen Music,
Narrative, and/or Affect: Kie¿lowski's Musical Bodies (NICHOLAS REYLAND)
9. Roundtable: Current Perspectives on Music, Sound, and Narrative in
Screen Media (ANAHID KASSABIAN - convenor) with ELENA BOSCHI, JAMES BUHLER,
CLAUDIA GORBMAN, MIGUEL MERA, ROGER MOSELEY, RONALD SADOFF, and BEN WINTERS
Part 2: Historical Approaches
10. Sound Design and Its Interactions with Music: Changing Historical
Perspectives (DANIJELA KULEZIC-WILSON) 11. Dimensions of Game Music History
(TIM SUMMERS) 12. The Changing Audio, Visual, and Narrative Parameters of
Hindi Film Songs (ANNA MORCOM) 13. From Radio to Television: Sound Style
and Audio Technique in Early TV Anthology Dramas (SHAWN VANCOUR) 14.
Manifest Destiny, The Space Race, and 1960s Television (ROBYNN J. STILWELL)
15. The Early Cinema Soundscape (RICK ALTMAN) 16. The Shock of the Old: The
Restoration, Reconstruction, or Creation of 'Mute'-Film Accompaniments
(GILLIAN B. ANDERSON) 17. Music That Works: Listening to Prestige British
Industrial Films (ANNETTE DAVISON) 18. The Fine Art of Repurposing: A Look
at Scores for Hollywood 'B' Films in the 1930s (JEFF SMITH) 19. Trailer or
Leader? The Role of Music and Sound in Cinematic Previews (JAMES DEAVILLE)
Part 3: Production and Process
20 A Star is Born: Max Steiner in the Studios, 1929-1939 (NATHAN PLATTE)
21. Sound Standings: A Brief History of the Impact of Labor and
Professional Representation on the Place of Early Sound Workers in the
Industry (1927-1937) (GIANLUCA SERGI) 22. In Sync? Music Supervisors, Music
Placement Practices, and Industrial Change (BETHANY KLEIN AND LESLIE M.
MEIER) 23. Shaping the Soundtrack? Hollywood Preview Audiences (RONALD
SADOFF AND MIGUEL MERA) 24. Craft, Art, or Process: The Question of
Creativity in Orchestration for Screen (IAN SAPIRO) 25. Post-Apartheid
Cinema (CHRISTOPHER LETCHER) 26. Simulation: Squaring the Immersion,
Realism, and Gameplay Circle (STEPHEN BAYSTED) 27. The Voice Delivers the
Threats, Foley Delivers the Punch: Embodied Knowledge in Foley Artistry
(SANDRA PAULETTO) 28. Direct Sounds, Language Swaps, and Directors' Cuts:
The Quest for Fidelity in the Film Soundtrack (EMILE WENNEKES)
Part 4: Cultural and Aesthetic Perspectives
29. From Disney to Dystopia: Transforming "Brazil" for a US Audience
(KARIANN GOLDSCHMITT) 30. Birth and Death of the Cool: The Glorious
Afflictions of Jazz on Screen (JEREMY BARHAM) 31. Home Theater(s):
Technology, Culture, and Style (MARK KERINS) 32. Drive, Speed, and
Narrative in the Soundscapes of Racing Games (KAREN COLLINS AND RUTH
DOCKWRAY) 33. Music, Genre, and Nationality in the Postmillenial Fantasy
Role-Playing Game (WILLIAM GIBBONS) 34. 'Sounding' Japanese: Traditions of
Music in Japanese Cinema (ALEXANDER BINNS) 35. Sounding Transculturation:
Western Opera in Korea during the Japanese Occupation (1910-1945)
(JEONGWON JOE) 36. Christopher Plummer Learns to Sing: The Torn
Masculinities of Mid-Century US Musicals (CARYL FLINN) 37. Music,
Whiteness, and Masculinity in Michael Mann's The Last of the Mohicans
(REBECCA FüLöP) 38. Some Assembly Required: Hybrid Scores in Moonrise
Kingdom and The Grand Budapest Hotel (KATE MCQUISTON)
Part 5: Analyses and Methodologies
39. Methods and Challenges of Analyzing Screen Media (FRANK LEHMAN)
40. From Intuition to Evidence: The Experimental Psychology of Film Music
(SIU-LAN TAN) 41. Idolizing the Synchronized Score: Studying Indiana Jones
Hypertexts (BEN WINTERS) 42. Fearful Symmetries: Music as Metaphor in
Doppelgänger Films (TOM SCHNELLER) 43. Musical Dreams and Nightmares: An
Analysis of Flower (ELIZABETH MEDINA-GRAY) 44. Reverb, Acousmata, and the
Backstage Musical (PETER DOYLE) 45. Unsettling the Soundtrack: Acoustic
Profiling and the Documentation of Community and Place (RANDOLPH JORDAN)
46. The Sound of Slime-ness: Telling Children's Stories on the Nickelodeon
Network (JENNIFER FLEEGER)
AND BEN WINTERS)
Part 1: Issues in the Study of Screen Music and Sound
1. The Ghostly Effect Revisited (K.J. DONNELLY) 2. Mystical Intimations,
the Scenic Sublime, and the Opening of the Vault: De-classicizing the
Late-romantic Revival in the Scoring of 'New Hollywood' Blockbusters c.
1977-1993 (PETER FRANKLIN) 3. Screen Music and the Question of Originality
(MIGUEL MERA) 4. Affect, Intensities, and Empathy: Sound and Contemporary
Screen Violence (LISA COULTHARD) 5. Balinese Music, an Italian Film, and an
Ethnomusicological Approach to Screen Music and Sound (MICHAEL B. BAKAN)
6. Emphatic and Ecological Sounds in Gameworld Interfaces (KRISTINE
JøRGENSEN) 7. "You Have to Feel a Sound for It to Be Effective": Sonic
Surfaces in Film and Television (LUCY FIFE DONALDSON) 8. Screen Music,
Narrative, and/or Affect: Kie¿lowski's Musical Bodies (NICHOLAS REYLAND)
9. Roundtable: Current Perspectives on Music, Sound, and Narrative in
Screen Media (ANAHID KASSABIAN - convenor) with ELENA BOSCHI, JAMES BUHLER,
CLAUDIA GORBMAN, MIGUEL MERA, ROGER MOSELEY, RONALD SADOFF, and BEN WINTERS
Part 2: Historical Approaches
10. Sound Design and Its Interactions with Music: Changing Historical
Perspectives (DANIJELA KULEZIC-WILSON) 11. Dimensions of Game Music History
(TIM SUMMERS) 12. The Changing Audio, Visual, and Narrative Parameters of
Hindi Film Songs (ANNA MORCOM) 13. From Radio to Television: Sound Style
and Audio Technique in Early TV Anthology Dramas (SHAWN VANCOUR) 14.
Manifest Destiny, The Space Race, and 1960s Television (ROBYNN J. STILWELL)
15. The Early Cinema Soundscape (RICK ALTMAN) 16. The Shock of the Old: The
Restoration, Reconstruction, or Creation of 'Mute'-Film Accompaniments
(GILLIAN B. ANDERSON) 17. Music That Works: Listening to Prestige British
Industrial Films (ANNETTE DAVISON) 18. The Fine Art of Repurposing: A Look
at Scores for Hollywood 'B' Films in the 1930s (JEFF SMITH) 19. Trailer or
Leader? The Role of Music and Sound in Cinematic Previews (JAMES DEAVILLE)
Part 3: Production and Process
20 A Star is Born: Max Steiner in the Studios, 1929-1939 (NATHAN PLATTE)
21. Sound Standings: A Brief History of the Impact of Labor and
Professional Representation on the Place of Early Sound Workers in the
Industry (1927-1937) (GIANLUCA SERGI) 22. In Sync? Music Supervisors, Music
Placement Practices, and Industrial Change (BETHANY KLEIN AND LESLIE M.
MEIER) 23. Shaping the Soundtrack? Hollywood Preview Audiences (RONALD
SADOFF AND MIGUEL MERA) 24. Craft, Art, or Process: The Question of
Creativity in Orchestration for Screen (IAN SAPIRO) 25. Post-Apartheid
Cinema (CHRISTOPHER LETCHER) 26. Simulation: Squaring the Immersion,
Realism, and Gameplay Circle (STEPHEN BAYSTED) 27. The Voice Delivers the
Threats, Foley Delivers the Punch: Embodied Knowledge in Foley Artistry
(SANDRA PAULETTO) 28. Direct Sounds, Language Swaps, and Directors' Cuts:
The Quest for Fidelity in the Film Soundtrack (EMILE WENNEKES)
Part 4: Cultural and Aesthetic Perspectives
29. From Disney to Dystopia: Transforming "Brazil" for a US Audience
(KARIANN GOLDSCHMITT) 30. Birth and Death of the Cool: The Glorious
Afflictions of Jazz on Screen (JEREMY BARHAM) 31. Home Theater(s):
Technology, Culture, and Style (MARK KERINS) 32. Drive, Speed, and
Narrative in the Soundscapes of Racing Games (KAREN COLLINS AND RUTH
DOCKWRAY) 33. Music, Genre, and Nationality in the Postmillenial Fantasy
Role-Playing Game (WILLIAM GIBBONS) 34. 'Sounding' Japanese: Traditions of
Music in Japanese Cinema (ALEXANDER BINNS) 35. Sounding Transculturation:
Western Opera in Korea during the Japanese Occupation (1910-1945)
(JEONGWON JOE) 36. Christopher Plummer Learns to Sing: The Torn
Masculinities of Mid-Century US Musicals (CARYL FLINN) 37. Music,
Whiteness, and Masculinity in Michael Mann's The Last of the Mohicans
(REBECCA FüLöP) 38. Some Assembly Required: Hybrid Scores in Moonrise
Kingdom and The Grand Budapest Hotel (KATE MCQUISTON)
Part 5: Analyses and Methodologies
39. Methods and Challenges of Analyzing Screen Media (FRANK LEHMAN)
40. From Intuition to Evidence: The Experimental Psychology of Film Music
(SIU-LAN TAN) 41. Idolizing the Synchronized Score: Studying Indiana Jones
Hypertexts (BEN WINTERS) 42. Fearful Symmetries: Music as Metaphor in
Doppelgänger Films (TOM SCHNELLER) 43. Musical Dreams and Nightmares: An
Analysis of Flower (ELIZABETH MEDINA-GRAY) 44. Reverb, Acousmata, and the
Backstage Musical (PETER DOYLE) 45. Unsettling the Soundtrack: Acoustic
Profiling and the Documentation of Community and Place (RANDOLPH JORDAN)
46. The Sound of Slime-ness: Telling Children's Stories on the Nickelodeon
Network (JENNIFER FLEEGER)