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  • Broschiertes Buch

This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address.

Produktbeschreibung
This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address.
Autorenporträt
Kristin Lené Hole is an Assistant Professor in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy (2016) and co-author (with Dijana Jeläa) of Film Feminisms: A Global Introduction (2019). Dijana Jeläa teaches in the Film Department at Brooklyn College, USA. She is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016) and co-author (with Kristin Lené Hole) of Film Feminisms: A Global Introduction (2019). E. Ann Kaplan is Distinguished Professor of English and Women's, Gender and Sexuality Studies at Stony Brook University, USA, where she also founded and directed The Humanities Institute. She is Past President of the Society for Cinema and Media Studies. Kaplan's pioneering research on women in film includes Women in Film: Both Sides of the Camera, Motherhood and Representation, Looking for the Other, and Feminism and Film. Her recent research focuses on trauma: see Trauma and Cinema (2004) with Ban Wang; Trauma Culture: The Politics of Terror and Loss in Media and Literature (2005); and Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction (2015). Patrice Petro is Dick Wolf Director of the Carsey-Wolf Center, Professor of Film and Media Studies, and Presidential Chair in Media Studies at the University of California, Santa Barbara, USA. She is the author, editor, and co-editor of twelve books, most recently Idols of Modernity: Movie Stars of the 1920s (2010), Teaching Film (2012), and After Capitalism: Horizons of Finance, Culture, and Citizenship (2016).