Pamela Fletcher is Associate Professor of Art History at Bowdoin College. Anne Helmreich is Senior Program Officer at the Getty Foundation
Inhaltsangabe
Introduction. The state of the field Pamela Fletcher and Anne Helmreich I. Structures 1. 'Florid looking speculators in Art and Virtu': the London picture trade c.1850 Mark Westgarth 2. Shopping for art: the rise of the commercial art gallery, 1850s 90s Pamela Fletcher 3. The Goupil Gallery at the intersection between London, Continent and Empire Anne Helmreich 4. Marketing Post Impressionism: Roger Fry's commercial exhibitions Anna Greutzner Robins 5. Strategies of display and modes of consumption in London art galleries in the Inter war years Andrew Stephenson II. Intersections 6. The art press and the art market: the art of promotion Julie F. Codell 7. 'The Call of Commerce': The Studio magazine in the 1920s Ysanne Holt 8. Decorative politics and direct pictures: Hugh Lane and the global art market, 1900 15 Morna O'Neill 9. Matthew Smith, the Tate Gallery and the London art market Alexandra MacGilp III. Negotiations 10. Millais in the marketplace: the crisis of the late Fifties Malcolm Warner 11. Branding the vision: William Holman Hunt and the Victorian art market Brenda Rix 12. Negotiating a reputation: J.M. Whistler, D.G. Rossetti and the art market 1860 1900 Patricia de Montfort 13. Home from home: some Australasian artists in London 1900 14 Pamela Gerrish Nunn Bibliography Glossary Index
Introduction. The state of the field Pamela Fletcher and Anne Helmreich I. Structures 1. 'Florid looking speculators in Art and Virtu': the London picture trade c.1850 Mark Westgarth 2. Shopping for art: the rise of the commercial art gallery, 1850s 90s Pamela Fletcher 3. The Goupil Gallery at the intersection between London, Continent and Empire Anne Helmreich 4. Marketing Post Impressionism: Roger Fry's commercial exhibitions Anna Greutzner Robins 5. Strategies of display and modes of consumption in London art galleries in the Inter war years Andrew Stephenson II. Intersections 6. The art press and the art market: the art of promotion Julie F. Codell 7. 'The Call of Commerce': The Studio magazine in the 1920s Ysanne Holt 8. Decorative politics and direct pictures: Hugh Lane and the global art market, 1900 15 Morna O'Neill 9. Matthew Smith, the Tate Gallery and the London art market Alexandra MacGilp III. Negotiations 10. Millais in the marketplace: the crisis of the late Fifties Malcolm Warner 11. Branding the vision: William Holman Hunt and the Victorian art market Brenda Rix 12. Negotiating a reputation: J.M. Whistler, D.G. Rossetti and the art market 1860 1900 Patricia de Montfort 13. Home from home: some Australasian artists in London 1900 14 Pamela Gerrish Nunn Bibliography Glossary Index
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