The Red Word

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The Red Word offers a lyrical yet eyes-wide-open account of the epic clash between fraternities' time-honoured `right to party' and young women's demands for sexual safety and respect. With strains of The Marriage Plot and reminiscent of the work of Zadie Smith, Donna Tartt and Tom Wolfe, The Red Word arrives on the wings of furies.

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Bewertung von miss.mesmerized aus Deutschland

13.03.2018

For a conference, Karen returns to the town she attended college many years before. It is not a pleasant return since the place is connected to sad memories. Going back there brings it all again to her mind. Her roommates, nice girls at first, whose plan got completely wrong. Her then boy-friend and … Mehr For a conference, Karen returns to the town she attended college many years before. It is not a pleasant return since the place is connected to sad memories. Going back there brings it all again to her mind. Her roommates, nice girls at first, whose plan got completely wrong. Her then boy-friend and his fraternity GBC who always treated her nicely but also had another, darker side. The teacher they all admired in their gender studies classes. And the scandal that shock the whole town. Sarah Henstra’s novel tells different tales with only one story. First of all, we have the strong protagonist Karen who as a Canadian always stands a bit outside her fellow students’ circles. She doesn’t have the same background; neither does she have the rich parents who provide her with all she needs not does she come with the intellectual package that most of the others seem to possess. The need to earn money to support herself keeps her from leading the same life as they do. This also brings her into the special situation between the groups who soon find themselves at war. The central topic, however, is how college students deal with sex. On the one hand, we have the partying during which much alcohol and all kinds of drugs are consumed which makes the young people reckless and careless. On the other hand, we have the planned drugging of young women with Rohypnol to abused them. There is a third perspective, represented by the academic intelligentsia: the classic image of the woman as victim, portrayed in history and literature throughout the centuries and which did not change in more than two thousand years. “The Red Word” could hardly be more relevant and up-to-date in the discussions we have seen all over the word about male dominance and indiscriminate abuse of their stronger position. Sarah Henstra does not just foreshadow what happens at the student houses, she openly talks about the rape that happens there. And she does provide a credible picture of what happens afterwards, of how women are accused of having contributed or even asked for it, of lame excuses for the male behaviour and of the psychological effect these experiences have on the students – both, male and female. It is not just black and white, there are many shadows and motives behind their actions, Henstra integrates them convincingly. A felicitous novel with a very important story to tell. Weniger

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