Andere Kunden interessierten sich auch für
![The Question of Style in Philosophy and the Arts]( "The Question of Style in Philosophy and the Arts")
The Question of Style in Philosophy and the Arts43,99 €![Explanation and Value in the Arts]( "Explanation and Value in the Arts")
Explanation and Value in the Arts128,99 €![Performance and Authenticity in the Arts]( "Performance and Authenticity in the Arts")
Performance and Authenticity in the Arts100,99 €![Post-Structuralism and the Question of History]( "Post-Structuralism and the Question of History")
Post-Structuralism and the Question of History45,99 €![Politics and Aesthetics in the Arts]( "Politics and Aesthetics in the Arts")
Politics and Aesthetics in the Arts97,99 €![Bakhtin and the Visual Arts]( "Bakhtin and the Visual Arts")
Bakhtin and the Visual Arts125,99 €![The Rationale of Religious Enquiry, Or, The Question Stated of Reason]( "The Rationale of Religious Enquiry, Or, The Question Stated of Reason")
The Rationale of Religious Enquiry, Or, The Question Stated of Reason33,99 €
The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture; in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea asserted by Nietzsche and Wittgenstein that there exist alternative styles of enquiry among which a choice is open. The essays in this book examine the circumstances, features, and consequences of this historical transition, exploring in particular new aspects and instances of the interrelatedness of content and its formal representation in both the arts and philosophy.