Erica Elizabeth Macdonald Robenalt (she/her) is a recent graduate from Newcastle University and an independent researcher. Her research focuses on intersections between queer theory and museology to better understand the 'queer museum'. Looking at museum exhibitions and programming, community relationships and institutional identity through the lens of queer utopia and futurity, her work critically engages with inclusivity and social justice oriented museal discourses.
Inhaltsangabe
1. Introduction 2. Queer Museology: Building a LGBTQ+ Museum Theory 3. What's in a Name? Queer British Art 1861-1967 at Tate Britain 4. Politically and Personally Queer: Coming Out: Sexuality, Gender & Identity at the Walker Art Gallery 5. Never Queer Enough: A Queer Utopia at the Van Abbemuseum 6. 'We have to do it ourselves. No one else will do that': Queer Feminism & Activism in the Schwules Museum 7. The Queer Utopic Museum and its Limits 8. Conclusion
1. Introduction 2. Queer Museology: Building a LGBTQ+ Museum Theory 3. What's in a Name? Queer British Art 1861-1967 at Tate Britain 4. Politically and Personally Queer: Coming Out: Sexuality, Gender & Identity at the Walker Art Gallery 5. Never Queer Enough: A Queer Utopia at the Van Abbemuseum 6. 'We have to do it ourselves. No one else will do that': Queer Feminism & Activism in the Schwules Museum 7. The Queer Utopic Museum and its Limits 8. Conclusion
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