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This useful introduction to practical criticism for students offers an impressive range of closely analysed passages and exercises, in prose and verse.
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This useful introduction to practical criticism for students offers an impressive range of closely analysed passages and exercises, in prose and verse.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 248
- Erscheinungstermin: 18. August 2010
- Englisch
- Abmessung: 216mm x 140mm x 15mm
- Gewicht: 355g
- ISBN-13: 9780521095402
- ISBN-10: 0521095409
- Artikelnr.: 24984989
- Verlag: Cambridge University Press
- Seitenzahl: 248
- Erscheinungstermin: 18. August 2010
- Englisch
- Abmessung: 216mm x 140mm x 15mm
- Gewicht: 355g
- ISBN-13: 9780521095402
- ISBN-10: 0521095409
- Artikelnr.: 24984989
Acknowledgements
Preface: aims and intentions
1. Practical criticism and 'method'
2. Rhythm, tone and the dangers of eye-reading
3. Imagery, metaphor and visualisation
4. Early and late Shakespearean verse
5. Two epitaphs for Ben Jonson
6. An early draft of Blake's London
7. Relevance and irrelevance in response: another Blake poem
8. Lyrical grace and warmth: two seventeenth-century lyrics
9. Emotion and emotionality: Herbert's 'Life' and E. B. Browning's 'Irrepatrableness'
10. Meaning stated and meaning created: two more Herbert poems
11. Translations of a Latin poem
12. Shakespeare's verse: additional exercises
13. A case of idiosyncrasy: two poems by Hardy
14. More creation versus statement: Frost and Edward Thomas
15. Contrasting poems
Jonson's 'To Heaven' and Donne's 'Thou Hast Made Me'
16. Prose
17. Extracts from novels: a passage from George Eliot's Daniel Deronda
18. Extracts from novels: a comparison of passages from Thackeray and Lawrence
19. Two passages about belief: Foerster and Forster
20. Aphorisms by Franklin and Lawrence
21. Two modern passages on literary criticism
22. Two pieces of eighteenth-century literary criticism
Notes
Exercises
Index.
Preface: aims and intentions
1. Practical criticism and 'method'
2. Rhythm, tone and the dangers of eye-reading
3. Imagery, metaphor and visualisation
4. Early and late Shakespearean verse
5. Two epitaphs for Ben Jonson
6. An early draft of Blake's London
7. Relevance and irrelevance in response: another Blake poem
8. Lyrical grace and warmth: two seventeenth-century lyrics
9. Emotion and emotionality: Herbert's 'Life' and E. B. Browning's 'Irrepatrableness'
10. Meaning stated and meaning created: two more Herbert poems
11. Translations of a Latin poem
12. Shakespeare's verse: additional exercises
13. A case of idiosyncrasy: two poems by Hardy
14. More creation versus statement: Frost and Edward Thomas
15. Contrasting poems
Jonson's 'To Heaven' and Donne's 'Thou Hast Made Me'
16. Prose
17. Extracts from novels: a passage from George Eliot's Daniel Deronda
18. Extracts from novels: a comparison of passages from Thackeray and Lawrence
19. Two passages about belief: Foerster and Forster
20. Aphorisms by Franklin and Lawrence
21. Two modern passages on literary criticism
22. Two pieces of eighteenth-century literary criticism
Notes
Exercises
Index.
Acknowledgements
Preface: aims and intentions
1. Practical criticism and 'method'
2. Rhythm, tone and the dangers of eye-reading
3. Imagery, metaphor and visualisation
4. Early and late Shakespearean verse
5. Two epitaphs for Ben Jonson
6. An early draft of Blake's London
7. Relevance and irrelevance in response: another Blake poem
8. Lyrical grace and warmth: two seventeenth-century lyrics
9. Emotion and emotionality: Herbert's 'Life' and E. B. Browning's 'Irrepatrableness'
10. Meaning stated and meaning created: two more Herbert poems
11. Translations of a Latin poem
12. Shakespeare's verse: additional exercises
13. A case of idiosyncrasy: two poems by Hardy
14. More creation versus statement: Frost and Edward Thomas
15. Contrasting poems
Jonson's 'To Heaven' and Donne's 'Thou Hast Made Me'
16. Prose
17. Extracts from novels: a passage from George Eliot's Daniel Deronda
18. Extracts from novels: a comparison of passages from Thackeray and Lawrence
19. Two passages about belief: Foerster and Forster
20. Aphorisms by Franklin and Lawrence
21. Two modern passages on literary criticism
22. Two pieces of eighteenth-century literary criticism
Notes
Exercises
Index.
Preface: aims and intentions
1. Practical criticism and 'method'
2. Rhythm, tone and the dangers of eye-reading
3. Imagery, metaphor and visualisation
4. Early and late Shakespearean verse
5. Two epitaphs for Ben Jonson
6. An early draft of Blake's London
7. Relevance and irrelevance in response: another Blake poem
8. Lyrical grace and warmth: two seventeenth-century lyrics
9. Emotion and emotionality: Herbert's 'Life' and E. B. Browning's 'Irrepatrableness'
10. Meaning stated and meaning created: two more Herbert poems
11. Translations of a Latin poem
12. Shakespeare's verse: additional exercises
13. A case of idiosyncrasy: two poems by Hardy
14. More creation versus statement: Frost and Edward Thomas
15. Contrasting poems
Jonson's 'To Heaven' and Donne's 'Thou Hast Made Me'
16. Prose
17. Extracts from novels: a passage from George Eliot's Daniel Deronda
18. Extracts from novels: a comparison of passages from Thackeray and Lawrence
19. Two passages about belief: Foerster and Forster
20. Aphorisms by Franklin and Lawrence
21. Two modern passages on literary criticism
22. Two pieces of eighteenth-century literary criticism
Notes
Exercises
Index.