In the book, music is approached as a sphere of activity where sacred and popular qualities intersect and amalgamate. By recognising postsecular and postcolonial processes of religious change, the cultural dynamics at stake are approached by stressing the multiple dimensions of the sacred and the popular.
In the book, music is approached as a sphere of activity where sacred and popular qualities intersect and amalgamate. By recognising postsecular and postcolonial processes of religious change, the cultural dynamics at stake are approached by stressing the multiple dimensions of the sacred and the popular.
Antti-Ville Villén (formerly Kärjä) is Professor of the Cultural Study of Music, University of the Arts Helsinki, Finland.
Inhaltsangabe
Preface 1 Introduction 2 Origins and effects 3 Ingenuity and authenticity 4 Religion and moral ambiguities 5 Subcultures and generations 6 Politics and resistance 7 Conclusion References
Preface 1 Introduction 2 Origins and effects 3 Ingenuity and authenticity 4 Religion and moral ambiguities 5 Subcultures and generations 6 Politics and resistance 7 Conclusion References
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