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"This is a remarkable book of penetrating intelligence. Through a series of deft readings, Redfield shows us how the aesthetic is always entangled in lines of forces beyond art proper. He charts expertly how this works in key texts of the Romantic period, all the while demonstrating powerfully that what we call Romanticism is by no means simply a thing of the past." --Ian Balfour, York University "Redfield's indispensible book casts new and important light on what impedes modernity in the region of the aesthetic, and, by its brilliant example, demonstrates what comes of responding to that occlusion with an ethics of reading."--Studies in Romanticism…mehr

Produktbeschreibung
"This is a remarkable book of penetrating intelligence. Through a series of deft readings, Redfield shows us how the aesthetic is always entangled in lines of forces beyond art proper. He charts expertly how this works in key texts of the Romantic period, all the while demonstrating powerfully that what we call Romanticism is by no means simply a thing of the past." --Ian Balfour, York University "Redfield's indispensible book casts new and important light on what impedes modernity in the region of the aesthetic, and, by its brilliant example, demonstrates what comes of responding to that occlusion with an ethics of reading."--Studies in Romanticism
Autorenporträt
Marc Redfield is Professor of English and holder of the John and Lillian Maguire Distinguished Chair in the Humanities at the Claremont Graduate University.