Treating hunger and disgust as political as well as aesthetic categories of experience, this book covers a wide range of genres including literature, cinema and performance art. It will be of value to anyone interested in the culture, politics, and subjectivity of embodiment, and scholars working within the fields of disgust studies, food studies, literary studies, cultural theory, and media studies.
Treating hunger and disgust as political as well as aesthetic categories of experience, this book covers a wide range of genres including literature, cinema and performance art. It will be of value to anyone interested in the culture, politics, and subjectivity of embodiment, and scholars working within the fields of disgust studies, food studies, literary studies, cultural theory, and media studies.
Michel Delville is Professor in the Department of Modern Languages and Literatures at the University of Liège, Belgium. Andrew Norris is Senior Lecturer at the Université Libre de Bruxelles, Belgium.
Inhaltsangabe
CONTENTS Introduction Chapter One: Activists of the Belly: Starving Clerks and Schizo-Strollers Chapter Two: The Spectacle of Starvation Chapter Three: The Materiology of Disgust Chapter Four: The Violence of Self-Starvation Chapter Five: The Anti-Capitalist Reading of Anorexia: Self-Starvation as Resistance Chapter Six: Hunger and Consumer Capitalism Epilogue: Empathizing with the Disembodied Works Cited Index
CONTENTS Introduction Chapter One: Activists of the Belly: Starving Clerks and Schizo-Strollers Chapter Two: The Spectacle of Starvation Chapter Three: The Materiology of Disgust Chapter Four: The Violence of Self-Starvation Chapter Five: The Anti-Capitalist Reading of Anorexia: Self-Starvation as Resistance Chapter Six: Hunger and Consumer Capitalism Epilogue: Empathizing with the Disembodied Works Cited Index
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