Based on the author's real-world experience, this book provides a comprehensive guide on how to develop a professional career and client base as a unit stills photographer in the entertainment industry. This book is ideal for intermediate level and aspiring photographers. Visit www.jacedowns.com for additional resources.
Based on the author's real-world experience, this book provides a comprehensive guide on how to develop a professional career and client base as a unit stills photographer in the entertainment industry. This book is ideal for intermediate level and aspiring photographers. Visit www.jacedowns.com for additional resources.
Jace Downs is an internationally published photographer and award-winning cinematographer. He has shot for networks and studios including CBS, AMC, Century Fox, Warner Bros., Sony Pictures Entertainment and many more. His numerous credits include hit shows like The Walking Dead and NCIS.
Inhaltsangabe
Part I: Introduction to Unit Photography 1. What Is Unit Photography? 2. How Production Stills Are Used 3. Why Unit Photography Is a Great Job 4. So What's the Catch? 5. A Final Word About the Pros and Cons 6. A Day in the Life of a Unit Photographer Part II: A Brief Introduction to Production 7. Production vs. Distribution 8. Production Roles and Departments 9. Key On-Set Phrases 10. Set Etiquette, Priorities and Politics 11. Working with "Sensitive" Talent Part III: The Unit Photographer's Kit 12. Equipment Overview 13. Selecting a Camera System 14. Selecting Lenses 15. Computer Hardware and Software 16. Travel Lighting Kit 17. Protecting, Acclimating and Carrying Your Cameras 18. Weather Gear 19. Insurance and Pro-Gear Organizations Part IV: The Art of Unit Photography 20. Looking Back and Ahead 21. How to Read a Call Sheet 22. The Lay of the Land 23. Who and What to Shoot 24. Getting Complete Coverage 25. Shooting Positions on Set 26. Camera Settings for Unit Photography 27. Editing and Image Delivery 28. Beyond Publicity Stills Part V: The Business of Unit Photography 29. Tips for Starting Your Career 30. Who Hires Unit Photographers? 31. Developing a Client Base 32. The Camera Union 33. Image Rights 34. In Conclusion
Part I: Introduction to Unit Photography
1. What Is Unit Photography?
2. How Production Stills Are Used
3. Why Unit Photography Is a Great Job
4. So What's the Catch?
5. A Final Word About the Pros and Cons
6. A Day in the Life of a Unit Photographer
Part II: A Brief Introduction to Production
7. Production vs. Distribution
8. Production Roles and Departments
9. Key On-Set Phrases
10. Set Etiquette, Priorities and Politics
11. Working with "Sensitive" Talent
Part III: The Unit Photographer's Kit
12. Equipment Overview
13. Selecting a Camera System
14. Selecting Lenses
15. Computer Hardware and Software
16. Travel Lighting Kit
17. Protecting, Acclimating and Carrying Your Cameras
Part I: Introduction to Unit Photography 1. What Is Unit Photography? 2. How Production Stills Are Used 3. Why Unit Photography Is a Great Job 4. So What's the Catch? 5. A Final Word About the Pros and Cons 6. A Day in the Life of a Unit Photographer Part II: A Brief Introduction to Production 7. Production vs. Distribution 8. Production Roles and Departments 9. Key On-Set Phrases 10. Set Etiquette, Priorities and Politics 11. Working with "Sensitive" Talent Part III: The Unit Photographer's Kit 12. Equipment Overview 13. Selecting a Camera System 14. Selecting Lenses 15. Computer Hardware and Software 16. Travel Lighting Kit 17. Protecting, Acclimating and Carrying Your Cameras 18. Weather Gear 19. Insurance and Pro-Gear Organizations Part IV: The Art of Unit Photography 20. Looking Back and Ahead 21. How to Read a Call Sheet 22. The Lay of the Land 23. Who and What to Shoot 24. Getting Complete Coverage 25. Shooting Positions on Set 26. Camera Settings for Unit Photography 27. Editing and Image Delivery 28. Beyond Publicity Stills Part V: The Business of Unit Photography 29. Tips for Starting Your Career 30. Who Hires Unit Photographers? 31. Developing a Client Base 32. The Camera Union 33. Image Rights 34. In Conclusion
Part I: Introduction to Unit Photography
1. What Is Unit Photography?
2. How Production Stills Are Used
3. Why Unit Photography Is a Great Job
4. So What's the Catch?
5. A Final Word About the Pros and Cons
6. A Day in the Life of a Unit Photographer
Part II: A Brief Introduction to Production
7. Production vs. Distribution
8. Production Roles and Departments
9. Key On-Set Phrases
10. Set Etiquette, Priorities and Politics
11. Working with "Sensitive" Talent
Part III: The Unit Photographer's Kit
12. Equipment Overview
13. Selecting a Camera System
14. Selecting Lenses
15. Computer Hardware and Software
16. Travel Lighting Kit
17. Protecting, Acclimating and Carrying Your Cameras
18. Weather Gear
19. Insurance and Pro-Gear Organizations
Part IV: The Art of Unit Photography
20. Looking Back and Ahead
21. How to Read a Call Sheet
22. The Lay of the Land
23. Who and What to Shoot
24. Getting Complete Coverage
25. Shooting Positions on Set
26. Camera Settings for Unit Photography
27. Editing and Image Delivery
28. Beyond Publicity Stills
Part V: The Business of Unit Photography
29. Tips for Starting Your Career
30. Who Hires Unit Photographers?
31. Developing a Client Base
32. The Camera Union
33. Image Rights
34. In Conclusion
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