The Philosophy of Theatre, Drama and Acting
Herausgeber: Stern, Tom
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The Philosophy of Theatre, Drama and Acting
Herausgeber: Stern, Tom
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A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
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A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 218
- Erscheinungstermin: 15. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 513g
- ISBN-13: 9781783486212
- ISBN-10: 178348621X
- Artikelnr.: 42998625
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 218
- Erscheinungstermin: 15. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 513g
- ISBN-13: 9781783486212
- ISBN-10: 178348621X
- Artikelnr.: 42998625
Tom Stern is Senior Lecturer in Philosophy at University College London. He is the author of Philosophy and Theatre: An Introduction (2013). Contributors: Kristin Gjesdal, Professor of Philosophy, Temple University, USA; Jennifer Ann Bates, Professor of Philosophy, Duquesne University, USA; Paul Woodruff, Professor of Philosophy, University of Texas Austin, USA; Tzachi Zamir, Associate Professor of English and General & Comparative Literature, Hebrew University Jerusalem, Israel; James R. Hamilton, Professor of Philosophy, University of Kansas, USA; David Saltz, Professor of Theatre and Film Studies, University of Georgia, USA; Paul Thom, Honorary Visiting Professor in the School of Philosophical and Historical Inquiry, University of Sydney, Australia, Lior Levy, Assistant Professor, University of Haifa
1. Introduction Tom Stern
Part I Historical Perspectives
2. 'Hegel's "Instinct of Reason" and Shakespeare's The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?' Jennifer Ann Bates
3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal
Part II Acting
4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern
5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy
6. Attention to Technique in Theatre Paul Woodruff
7. Giving Focus Tzachi Zamir
Part III: Theatre as Art
8. What is the relationship between 'observed' and 'participatory' performance? James R. Hamilton
9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz
10. 'Ideals of Theatrical Art' Paul Thom
Part I Historical Perspectives
2. 'Hegel's "Instinct of Reason" and Shakespeare's The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?' Jennifer Ann Bates
3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal
Part II Acting
4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern
5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy
6. Attention to Technique in Theatre Paul Woodruff
7. Giving Focus Tzachi Zamir
Part III: Theatre as Art
8. What is the relationship between 'observed' and 'participatory' performance? James R. Hamilton
9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz
10. 'Ideals of Theatrical Art' Paul Thom
1. Introduction Tom Stern
Part I Historical Perspectives
2. 'Hegel's "Instinct of Reason" and Shakespeare's The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?' Jennifer Ann Bates
3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal
Part II Acting
4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern
5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy
6. Attention to Technique in Theatre Paul Woodruff
7. Giving Focus Tzachi Zamir
Part III: Theatre as Art
8. What is the relationship between 'observed' and 'participatory' performance? James R. Hamilton
9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz
10. 'Ideals of Theatrical Art' Paul Thom
Part I Historical Perspectives
2. 'Hegel's "Instinct of Reason" and Shakespeare's The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?' Jennifer Ann Bates
3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal
Part II Acting
4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern
5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy
6. Attention to Technique in Theatre Paul Woodruff
7. Giving Focus Tzachi Zamir
Part III: Theatre as Art
8. What is the relationship between 'observed' and 'participatory' performance? James R. Hamilton
9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz
10. 'Ideals of Theatrical Art' Paul Thom