Popular music plays a significant role in the evolving global dynamics of the Nordic countries and the fascination with the region's natural environments. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics by the world's foremost experts in the field.
Popular music plays a significant role in the evolving global dynamics of the Nordic countries and the fascination with the region's natural environments. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics by the world's foremost experts in the field.
Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011. Antti-Ville Kärjä works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.
Inhaltsangabe
* Contents * Figures * Tables * Acknowledgements * Introduction: Music in a Globalizing Region * Fabian Holt * PART ONE * Geography * 1 Musical Borealism: Nordic Music and European History * Philip V. Bohlman * 2 Nordic Modernity and the Structure of the Musical Landscape * Fabian Holt * 3 Inclusive Popular Music Education? * Alexis A. Kallio and Lauri Väkevä * 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding Hank * Hans Weisethaunet * 5 From the Faroes to the World Stage * Joshua Green * 6 Christian Metal and the Translocal North * Henna Jousmäki * 7 Music and Landscape in Iceland * Tony Mitchell * 8 Music and Environmentalism in Iceland * Nicola Dibben * PART TWO * History * 9 A Metahistorical Enquiry into Nordic Popular Music Historiography * Antti-Ville Kärjä * 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music * Kimberly Cannady * 11 Swedish Prog Rock and the Search for a Timeless Utopia * Sverker Hyltén-Cavallius and Lars Kaijser * 12 Trajectories of Karelian Music After the Cold War * Pekka Suutari * 13 The Memorial Ceremony after the 2011 Utøya Massacre * Jan Sverre Knudsen * 14 Aspirations and Global Futures: Lessons from Sámi Popular Music for the 21st Century * Tina K. Ramnarine * PART THREE * Identity * 15 Masculinity, Race and Transculturalism in a Norwegian Context * Stan Hawkins * 16 Hip Hop as Public Pedagogy * Alexandra D'Urso * 17 Urban Music and the Complex Identities of "New Nationals" in Scandinavia * Henrik Marstal * 18 Rap, Reggae, and White Minoritization * Benjamin R. Teitelbaum * 19 Sámi Festivals and Indigeneity * Thomas R. Hilder * 20 Digitally Mediated Identity in the Cases of Two Sámi Artists * Ann Werner * Contributors * Index
* Contents * Figures * Tables * Acknowledgements * Introduction: Music in a Globalizing Region * Fabian Holt * PART ONE * Geography * 1 Musical Borealism: Nordic Music and European History * Philip V. Bohlman * 2 Nordic Modernity and the Structure of the Musical Landscape * Fabian Holt * 3 Inclusive Popular Music Education? * Alexis A. Kallio and Lauri Väkevä * 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding Hank * Hans Weisethaunet * 5 From the Faroes to the World Stage * Joshua Green * 6 Christian Metal and the Translocal North * Henna Jousmäki * 7 Music and Landscape in Iceland * Tony Mitchell * 8 Music and Environmentalism in Iceland * Nicola Dibben * PART TWO * History * 9 A Metahistorical Enquiry into Nordic Popular Music Historiography * Antti-Ville Kärjä * 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music * Kimberly Cannady * 11 Swedish Prog Rock and the Search for a Timeless Utopia * Sverker Hyltén-Cavallius and Lars Kaijser * 12 Trajectories of Karelian Music After the Cold War * Pekka Suutari * 13 The Memorial Ceremony after the 2011 Utøya Massacre * Jan Sverre Knudsen * 14 Aspirations and Global Futures: Lessons from Sámi Popular Music for the 21st Century * Tina K. Ramnarine * PART THREE * Identity * 15 Masculinity, Race and Transculturalism in a Norwegian Context * Stan Hawkins * 16 Hip Hop as Public Pedagogy * Alexandra D'Urso * 17 Urban Music and the Complex Identities of "New Nationals" in Scandinavia * Henrik Marstal * 18 Rap, Reggae, and White Minoritization * Benjamin R. Teitelbaum * 19 Sámi Festivals and Indigeneity * Thomas R. Hilder * 20 Digitally Mediated Identity in the Cases of Two Sámi Artists * Ann Werner * Contributors * Index
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