The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume covers 1645 to 1714, which saw the rise of new media forms, and transformations in performance spaces, bookselling, and the concept of authorship.
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume covers 1645 to 1714, which saw the rise of new media forms, and transformations in performance spaces, bookselling, and the concept of authorship.
Margaret J. M. Ezell is a Distinguished Professor of English and the John and Sara Lindsey Chair of Liberal Arts at Texas A&M University. She received her degrees from Wellesley College and Cambridge University.
Inhaltsangabe
* 1: 1645: The War and the Commonwealth * I: Laws Regulating Publication Speech and Performance 1645-1658 * II: Humphrey Moseley and London Literary Publishing: Making the Book Image and Word * III: Hearing Speaking Writing: Religious Discourse from the Pulpit among the Congregations and the Prophets * IV: Sociable Texts: Manuscript Circulation Writers and Readers in Britain and Abroad * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * 2: 1659-1660: The Return of the King * I: Laws Regulating Publication Speech and Performance 1660-1673 * II: Renovating the Stage: Companies Actresses Repertoire Theatre Innovations and the Touring Companies * III: Enacting Libertinism: Court Performance and Literary Culture * IV: Creating Science: The Royal Society and the New Literatures of Science * V: 'Adventurous Song': Samuel Butler Abraham Cowley Katherine Philips John Milton and 1660s Verse * 3: 1674-1675: For Profit and Delight * I: Laws Regulating Publication Speech and Performance * II: Poets and the Politics of Patronage and Literary Criticism * III: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley Travelling Companies Strollers School Plays and Private Performances * IV: Fictions: The Pilgrim's Progress the New 'Novels' and Love and Erotica * V: Foreign Parts: English Readers and Foreign Lands and Cultures * 4: 1685-1686 Transitions * I: Laws Regulating Publication Speech and Performance * II: Heard in the Street: Broadside Ballads * III: Seen on Stage: English Operas the Female Wits and the 'Reformed' Stage * IV: Debates between the Sexes: Satires Advice and Polemics * 5: 1700: Forming the New Britain * I: Laws Regulating Publication Preaching and Performance * II: Kit-Cats and Scriblerians: Clubs Wits The Tatler The Spectator and The Memoirs of Martin Scriblerus * III: Booksellers and the Book Trade: John Dunton Edmund Curll Grub Street and the Rise of Bernard Lintot * IV: 'The Great Business of Poetry': Poets Pastoral and Politics * Appendix: Companion Volume: Table of Contents * For Further Reading * Works Cited * Index
* 1: 1645: The War and the Commonwealth * I: Laws Regulating Publication Speech and Performance 1645-1658 * II: Humphrey Moseley and London Literary Publishing: Making the Book Image and Word * III: Hearing Speaking Writing: Religious Discourse from the Pulpit among the Congregations and the Prophets * IV: Sociable Texts: Manuscript Circulation Writers and Readers in Britain and Abroad * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * 2: 1659-1660: The Return of the King * I: Laws Regulating Publication Speech and Performance 1660-1673 * II: Renovating the Stage: Companies Actresses Repertoire Theatre Innovations and the Touring Companies * III: Enacting Libertinism: Court Performance and Literary Culture * IV: Creating Science: The Royal Society and the New Literatures of Science * V: 'Adventurous Song': Samuel Butler Abraham Cowley Katherine Philips John Milton and 1660s Verse * 3: 1674-1675: For Profit and Delight * I: Laws Regulating Publication Speech and Performance * II: Poets and the Politics of Patronage and Literary Criticism * III: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley Travelling Companies Strollers School Plays and Private Performances * IV: Fictions: The Pilgrim's Progress the New 'Novels' and Love and Erotica * V: Foreign Parts: English Readers and Foreign Lands and Cultures * 4: 1685-1686 Transitions * I: Laws Regulating Publication Speech and Performance * II: Heard in the Street: Broadside Ballads * III: Seen on Stage: English Operas the Female Wits and the 'Reformed' Stage * IV: Debates between the Sexes: Satires Advice and Polemics * 5: 1700: Forming the New Britain * I: Laws Regulating Publication Preaching and Performance * II: Kit-Cats and Scriblerians: Clubs Wits The Tatler The Spectator and The Memoirs of Martin Scriblerus * III: Booksellers and the Book Trade: John Dunton Edmund Curll Grub Street and the Rise of Bernard Lintot * IV: 'The Great Business of Poetry': Poets Pastoral and Politics * Appendix: Companion Volume: Table of Contents * For Further Reading * Works Cited * Index
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