This work considers the modern antecedants and evolution of the operational art in military thought and practice in both peace and wartime. This theme is developed over time and across military cultures. A comparative framework allows the treatment of the overall theme by examining the concept of the operational art in the context of different nationalities, different military organizations, and different societies. This study situates the current operational art in its historical context.
This work considers the modern antecedants and evolution of the operational art in military thought and practice in both peace and wartime. This theme is developed over time and across military cultures. A comparative framework allows the treatment of the overall theme by examining the concept of the operational art in the context of different nationalities, different military organizations, and different societies. This study situates the current operational art in its historical context.
B.J.C. MCKERCHER is Associate Professor of History at the Royal Military College of Canada. An expert in modern British foreign and defense policy, he has recently co-edited (with Lawrence Aronson) The North Atlantic Triangle in a Changing World: Anglo-American-Canadian Relations, 1903-1956 (1995). He is also general editor of the Praeger Series in Diplomacy and Strategic Thought. MICHAEL A. HENNESSY is an Assistant Professor of Naval and Military History at the Royal Military College of Canada. Specializing in the history of technology, low intensity conflict and international security studies, he has published widely on Canadian defense issues.
Inhaltsangabe
Introduction by M.A. Hennessy and B.J.C. McKercher The Operational Art: Development in the Theories of War by John English The Operational Art and the Elder Moltke's Campaign Plan for the Franco-Prussian War by Bradley J. Meyer Two Views of Warsaw: The Russian Civil War and Soviet Operational Art, 1920-1932 by Jacob Kipp Operational Art and the Canadian Army's Way of War by William McAndrew Operational Methods of the French Armed Forces, 1945-1970 by Sabine Marie Decup The Intellectual Dimension of Soviet (Russian) Operational Art by David M. Glantz Filling the Void: The Operational Art and the U.S. Army by Richard M. Swain "The Revolution in Military Affairs": Its Implications for Doctrine and Force Within the U.S. Army by Stéphane Lefebvre, Michel Fortman, and Thierry Gongora Commentary on the Operational Art by Charles F. Brower, IV Selected Bibliography
Introduction by M.A. Hennessy and B.J.C. McKercher The Operational Art: Development in the Theories of War by John English The Operational Art and the Elder Moltke's Campaign Plan for the Franco-Prussian War by Bradley J. Meyer Two Views of Warsaw: The Russian Civil War and Soviet Operational Art, 1920-1932 by Jacob Kipp Operational Art and the Canadian Army's Way of War by William McAndrew Operational Methods of the French Armed Forces, 1945-1970 by Sabine Marie Decup The Intellectual Dimension of Soviet (Russian) Operational Art by David M. Glantz Filling the Void: The Operational Art and the U.S. Army by Richard M. Swain "The Revolution in Military Affairs": Its Implications for Doctrine and Force Within the U.S. Army by Stéphane Lefebvre, Michel Fortman, and Thierry Gongora Commentary on the Operational Art by Charles F. Brower, IV Selected Bibliography
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