Emily Kilpatrick holds a Ph.D. in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Fauré. She is co-editor, with Roy Howat, of the new Peters critical edition of Fauré's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song.
Inhaltsangabe
Preface Part I. Making Operas: 1. Introduction: 'a single act at the Opéra-Comique' 2. Ravel's hour 3. The Child and the impresarios Part II. Words and Music: 4. The collaborative process 5. Songs into operas 6. 'This archaic attempt at a modern fantasy' 7. A portrait of an opera-ballet Part III. The Compositional Web: 8. The 'calling cards' of L'Heure espagnole 9. From Carmen to Concepcion 10. The 'big, small world' of L'Enfant et les sortilèges 11. A child of his time Afterword.
Preface Part I. Making Operas: 1. Introduction: 'a single act at the Opéra-Comique' 2. Ravel's hour 3. The Child and the impresarios Part II. Words and Music: 4. The collaborative process 5. Songs into operas 6. 'This archaic attempt at a modern fantasy' 7. A portrait of an opera-ballet Part III. The Compositional Web: 8. The 'calling cards' of L'Heure espagnole 9. From Carmen to Concepcion 10. The 'big, small world' of L'Enfant et les sortilèges 11. A child of his time Afterword.
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