Three Canadian women writers born in the 1870s were influenced by early 20th-century publication, marketing, and reading practices to produce continuing stories. This book argues that their serials, sequels, and adaptations are part of a continuum of cultural production and consumption.
Three Canadian women writers born in the 1870s were influenced by early 20th-century publication, marketing, and reading practices to produce continuing stories. This book argues that their serials, sequels, and adaptations are part of a continuum of cultural production and consumption.
Wendy Roy is a professor of Canadian Literature at the University of Saskatchewan. She researches gender and culture in Canadian women's writing and is the author of Maps of Difference: Canada, Women, and Travel (2005) and co-editor of Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual (2012).
Inhaltsangabe
Introduction: Serials, Sequels, and Adaptations in Twentieth-Century Canada Part 1: Nellie L. McClung and the Pearlie Watson Trilogy 1. Sowing the Seeds for McClung's First Novel 2. Serialization as Marketing Strategy 3. McClung's Second Chances 4. Changing Popular and Critical Responses 5. Sequel (Non)Recognition = (Non)Adaptation? Part 2: L. M. Montgomery, Anne, and Other Sequel Heroines 6. Beginning the Cycle: Montgomery's First Serials and Sequels 7. New and Old Continuing Stories: The "Teen" Years 8. Anne and Emily of Somewhere Else: More Sequels and Serials 9. Anne Grows Up: The Sequel as Bildungsroman 10. Love for and Criticism of the Red-Headed Girl 11. Adapting and Internationalizing Anne Part 3: Mazo de la Roche and the Whiteoaks of Jalna 12. From Magazine Short Stories to Magazine Novels 13. Beyond the Trilogy: The Serial-Sequel Continuum 14. More Non-Jalna Novels, and New Jalna Prequels and Sequels 15. From Acclaimed Contest Winner to "Outside the Range of Literary Criteria" 16. The Whiteoaks of Hollywood - les Whiteoaks de Paris Conclusion: The Next Instalment Index
Introduction: Serials, Sequels, and Adaptations in Twentieth-Century Canada Part 1: Nellie L. McClung and the Pearlie Watson Trilogy 1. Sowing the Seeds for McClung's First Novel 2. Serialization as Marketing Strategy 3. McClung's Second Chances 4. Changing Popular and Critical Responses 5. Sequel (Non)Recognition = (Non)Adaptation? Part 2: L. M. Montgomery, Anne, and Other Sequel Heroines 6. Beginning the Cycle: Montgomery's First Serials and Sequels 7. New and Old Continuing Stories: The "Teen" Years 8. Anne and Emily of Somewhere Else: More Sequels and Serials 9. Anne Grows Up: The Sequel as Bildungsroman 10. Love for and Criticism of the Red-Headed Girl 11. Adapting and Internationalizing Anne Part 3: Mazo de la Roche and the Whiteoaks of Jalna 12. From Magazine Short Stories to Magazine Novels 13. Beyond the Trilogy: The Serial-Sequel Continuum 14. More Non-Jalna Novels, and New Jalna Prequels and Sequels 15. From Acclaimed Contest Winner to "Outside the Range of Literary Criteria" 16. The Whiteoaks of Hollywood - les Whiteoaks de Paris Conclusion: The Next Instalment Index
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