This collection approaches the task of accounting for the networked image from the perspective of cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects.
This collection approaches the task of accounting for the networked image from the perspective of cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects.
Andrew Dewdney is Co-director and Co-founder of the Centre for the Study of the Networked Image, and Professor of Educational Media at London South Bank University. He has written and lectured widely on new media and museology. His most recent book Forget Photography was published in 2021. Katrina Sluis is Associate Professor and Head of Photography & Media Arts at the School of Art & Design, Australian National University. She is a founding Co-director of the Centre for the Study of the Networked Image and was previously Senior Curator (Digital Programmes) at The Photographers' Gallery, London.
Inhaltsangabe
Introduction Part One: The condition of the networked image 1. The politics of the networked image: representation and reproduction 2. The networked image after Web 2.0: Flickr and the 'real-world' photography of the dataset 3. Post-capitalist photography Part Two: Computation, software, learning 4. The computer vision lab: the epistemic configuration of machine vision 5. Ways of machine seeing as a problem of invisual literacy 6, Soft subjects: hybrid labour in media software Part Three: Curating the networked image 7. The paradoxes of curating the networked image: aesthetic currents, flows and flaws 8. Internet liveness and the art museum 9. Screenshot situations: imaginary realities of networked images Part Four: Digitisation and the reconfiguration of the archive 10. Networks of care 11. Beyond the screenshot: interface design and data protocols in the net art archive
Introduction Part One: The condition of the networked image 1. The politics of the networked image: representation and reproduction 2. The networked image after Web 2.0: Flickr and the 'real-world' photography of the dataset 3. Post-capitalist photography Part Two: Computation, software, learning 4. The computer vision lab: the epistemic configuration of machine vision 5. Ways of machine seeing as a problem of invisual literacy 6, Soft subjects: hybrid labour in media software Part Three: Curating the networked image 7. The paradoxes of curating the networked image: aesthetic currents, flows and flaws 8. Internet liveness and the art museum 9. Screenshot situations: imaginary realities of networked images Part Four: Digitisation and the reconfiguration of the archive 10. Networks of care 11. Beyond the screenshot: interface design and data protocols in the net art archive
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