In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.
In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.
Celia Applegate is the William R. Kenan Jr. Chair in History at Vanderbilt University.
Inhaltsangabe
Acknowledgements List of Illustrations Introduction PART I: PLACES Chapter 1 How German Is It? Chapter 2 Music in Place Chapter 3 Musical Itinerancy in a World of Nations Chapter 4 Music at the Fairs PART II: PEOPLE Chapter 5 Mendelssohn on the Road Chapter 6 The Internationalism of Nationalism in the Writings of A. B. Marx. Chapter 7 Schumann’s German Nation Chapter 8 The Musical Worlds of Brahms’ Hamburg. PART III: PUBLIC AND PRIVATE Chapter 9 What Difference does a Nation Make? Chapter 10 Men with Trombones Chapter 11 Women’s Wagner Chapter 12 The Past and Present of Hausmusik in the Third Reich Chapter 13 To be or not to be Wagnerian in Riefenstahl’s Films Chapter 14 Saving Music
Acknowledgements List of Illustrations Introduction PART I: PLACES Chapter 1 How German Is It? Chapter 2 Music in Place Chapter 3 Musical Itinerancy in a World of Nations Chapter 4 Music at the Fairs PART II: PEOPLE Chapter 5 Mendelssohn on the Road Chapter 6 The Internationalism of Nationalism in the Writings of A. B. Marx. Chapter 7 Schumann’s German Nation Chapter 8 The Musical Worlds of Brahms’ Hamburg. PART III: PUBLIC AND PRIVATE Chapter 9 What Difference does a Nation Make? Chapter 10 Men with Trombones Chapter 11 Women’s Wagner Chapter 12 The Past and Present of Hausmusik in the Third Reich Chapter 13 To be or not to be Wagnerian in Riefenstahl’s Films Chapter 14 Saving Music
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