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This early novel is both expensive and hard to find in its first edition. Written by the prolific English critic and author of novels, short stories, essays and verse, G. K. Chesterton (1874-1936), it is a futuristic novel set in 1984 in a London that has changed little from the date in which is was written, 1904. Chesterton's most accurate prediction was that in essence, people would not change, and would continue to regard government with indifference. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We…mehr

Produktbeschreibung
This early novel is both expensive and hard to find in its first edition. Written by the prolific English critic and author of novels, short stories, essays and verse, G. K. Chesterton (1874-1936), it is a futuristic novel set in 1984 in a London that has changed little from the date in which is was written, 1904. Chesterton's most accurate prediction was that in essence, people would not change, and would continue to regard government with indifference. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Autorenporträt
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out.Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism.In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.