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A weekly publication founded in 1836, The Musical World was one of the most influential music journals of its time. Each issue includes news and reviews of the latest musical performances and publications, along with essays, interviews, and commentary by leading musicians and scholars. The Musical World offers a fascinating glimpse into the world of music in the 19th century and is an essential resource for anyone interested in the history of music journalism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.