Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by Pedro Lorente in this new and expanded edition of his groundbreaking 1998 study, Cathedrals of Urban Modernity.
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by Pedro Lorente in this new and expanded edition of his groundbreaking 1998 study, Cathedrals of Urban Modernity.
Introduction Part I The Parisian Musée du Luxembourg as a Paradigm in the 19th Century: The origin of the Musée des Artistes Vivants in Paris The first emulators and alternatives to the Luxembourg Unresolved dilemmas in the last third of the 19th century Utopian ideas and experiments at the turn of the 19th century. Part II The Role of the MoMA of New York as the International Model of the 20th Century: Foundations and context of the MoMA's creation MoMA's transition to adulthood amidst war and confrontations MoMA as an international role model during the Cold War: triumph and opposition The Pompidou Centre, a counter-model which ends up imitating MoMA Topographic review of the new museums of contemporary art at the turn of the millennium Epilogue References Index.
Introduction Part I The Parisian Musée du Luxembourg as a Paradigm in the 19th Century: The origin of the Musée des Artistes Vivants in Paris The first emulators and alternatives to the Luxembourg Unresolved dilemmas in the last third of the 19th century Utopian ideas and experiments at the turn of the 19th century. Part II The Role of the MoMA of New York as the International Model of the 20th Century: Foundations and context of the MoMA's creation MoMA's transition to adulthood amidst war and confrontations MoMA as an international role model during the Cold War: triumph and opposition The Pompidou Centre, a counter-model which ends up imitating MoMA Topographic review of the new museums of contemporary art at the turn of the millennium Epilogue References Index.
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