The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history.
The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history.
Lúcia Nagib is Professor of Film at the University of Reading. Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University
Inhaltsangabe
* Table of Contents * List of Illustrations * Contributors * Acknowledgements * Introduction - Stefan Solomon and Lúcia Nagib * Part I - Methodologies * 1. Hegel, Cinema and the Other Arts * Alain Badiou * 2. One-Dimensional Man? A Reply to Alain Badiou * James Hellings * 3. Hybrid Variations on an Intermedial Theme * Robert Stam * 4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark * Mark Player * Part II - Technologies and Environments * 5. Intermediality and the Carousel Slide Projector * Julian Ross * 6. Up the Junction, Intermediality and Social Change * Sarah Street * 7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema * Ismail Xavier * 8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca * 9. Elemental Intermedia * Stefan Solomon * Part III - National and Regional Phenomena * 10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil * Luciana Corrêa de Araújo * 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí * Albert Elduque * 12. Impurity and Identification: Historicising Chinese Cinema through the Opera * Cecília Mello * 13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 * Lúcia Nagib * Part IV - Intermedial Artists * 14. Stephen Dwoskin, an Intermedial Artist * Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue * 15. Intermedial Voices: Intersections in feminist sound and moving image * Claire M. Holdsworth * 16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son * Jonathan Bignell * 17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy * Fátima Chinita * Index
* Table of Contents * List of Illustrations * Contributors * Acknowledgements * Introduction - Stefan Solomon and Lúcia Nagib * Part I - Methodologies * 1. Hegel, Cinema and the Other Arts * Alain Badiou * 2. One-Dimensional Man? A Reply to Alain Badiou * James Hellings * 3. Hybrid Variations on an Intermedial Theme * Robert Stam * 4. Parallax Historiography and Metareference: The intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark * Mark Player * Part II - Technologies and Environments * 5. Intermediality and the Carousel Slide Projector * Julian Ross * 6. Up the Junction, Intermediality and Social Change * Sarah Street * 7. When the Past is Present: Digital Cinema and the Philosophical Toys of Pre-Cinema * Ismail Xavier * 8. Panoramic Views, Planetary Visions: An Intermedial Analysis of Medium Earth and Walden Tiago de Luca * 9. Elemental Intermedia * Stefan Solomon * Part III - National and Regional Phenomena * 10. Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil * Luciana Corrêa de Araújo * 11. Flamenco on Screen: The Intermedial Legacy of Carmen Amaya in Bajarí * Albert Elduque * 12. Impurity and Identification: Historicising Chinese Cinema through the Opera * Cecília Mello * 13. Historicising the Story through Film and Music: An Intermedial Reading of Heimat 2 * Lúcia Nagib * Part IV - Intermedial Artists * 14. Stephen Dwoskin, an Intermedial Artist * Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue * 15. Intermedial Voices: Intersections in feminist sound and moving image * Claire M. Holdsworth * 16. Entanglements of Intermediality: Polanski, Pinter, Steptoe and Son * Jonathan Bignell * 17. The Intermedial Reworking of History in Peter Greenaway's The Tulse Luper Suitcases Trilogy * Fátima Chinita * Index
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