Introduction: The Literary through or beyond? Form Catherine Sanok and Robert J Meyer Lee What's the Use? Marian Miracles and the Workings of the Literary Claire M. Waters Form's Practice: Lyrics, Grammars, and the Medieval Idea of the Literary Ingrid Nelson Forms of the Hours in Late Medieval England Jessica Brantley Rhymed Alliterative Verse in Mise en page Transition: Two Case Studies in English Poetic Hybridity Andrew Klein Rhymed Alliterative Verse in Mise en page Transition: Two Case Studies in English Poetic Hybridity Kathryn Kerby Fulton Idiot Psalms: Sound, Style, and the Performance of the Literary in the Towneley Shepherds' Plays Shannon Gayk Inaudible Music Sarah Elliott Novacich Translating Form with Patience Anke Bernau Terpsichorean Form: Geoffrey Chaucer's Franklin's Tale and Robert Smithson's Spiral Jetty Seeta Chaganti Illusion and Aspect in the Construction of the Face: Chaucerian Individuals, Chaucerian Types Maura Nolan Collecting, Violence, Literature: Richard of Bury's Philobiblon and the Forms of Literary History Emily Steiner
Introduction: The Literary through or beyond? Form Catherine Sanok and Robert J Meyer Lee What's the Use? Marian Miracles and the Workings of the Literary Claire M. Waters Form's Practice: Lyrics, Grammars, and the Medieval Idea of the Literary Ingrid Nelson Forms of the Hours in Late Medieval England Jessica Brantley Rhymed Alliterative Verse in Mise en page Transition: Two Case Studies in English Poetic Hybridity Andrew Klein Rhymed Alliterative Verse in Mise en page Transition: Two Case Studies in English Poetic Hybridity Kathryn Kerby Fulton Idiot Psalms: Sound, Style, and the Performance of the Literary in the Towneley Shepherds' Plays Shannon Gayk Inaudible Music Sarah Elliott Novacich Translating Form with Patience Anke Bernau Terpsichorean Form: Geoffrey Chaucer's Franklin's Tale and Robert Smithson's Spiral Jetty Seeta Chaganti Illusion and Aspect in the Construction of the Face: Chaucerian Individuals, Chaucerian Types Maura Nolan Collecting, Violence, Literature: Richard of Bury's Philobiblon and the Forms of Literary History Emily Steiner
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