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A book examining increasing loudness within music and broadcast by examining its manipulation through technology in the commercial market. The history of our relationship to loudness and the key reasons for its incremental rise and development are uncovered; a current analysis shows the problem, examples, academic debate and the commercial function and changing listening habits of consumers. The implications of hyper-compressed music for engineers and consumers are presented, covering technical and socioeconomic aspects before solutions are explored in reducing excessive loudness. A summary of…mehr

Produktbeschreibung
A book examining increasing loudness within music and broadcast by examining its manipulation through technology in the commercial market. The history of our relationship to loudness and the key reasons for its incremental rise and development are uncovered; a current analysis shows the problem, examples, academic debate and the commercial function and changing listening habits of consumers. The implications of hyper-compressed music for engineers and consumers are presented, covering technical and socioeconomic aspects before solutions are explored in reducing excessive loudness. A summary of the primary research is presented before ending with a conclusion.
Autorenporträt
Nick Granville-Fall is a Sound Designer, Musician and Technician with a background in Graphic Design and first class honours BSc in Sound for Media. He currently runs http://ideosound.com, engineering high quality audio for motion graphics, animation, VR and beyond; exploring exciting, creative sound design and music.