In this Element, the authors compare the written descriptions of sensory and emotional experiences produced by twenty synaesthetes and twenty non-synaesthetes, and explore the characteristics of their writing, particularly as they relate to metaphor. This title is also available as Open Access on Cambridge Core.
In this Element, the authors compare the written descriptions of sensory and emotional experiences produced by twenty synaesthetes and twenty non-synaesthetes, and explore the characteristics of their writing, particularly as they relate to metaphor. This title is also available as Open Access on Cambridge Core.
1. 'Tiny balloons filled with mashed potatoes': what is synaesthesia, and what has it got to do with creativity and metaphor?; 2. 'Those cookies tasted of regret :' how we investigated evaluative descriptions of sensory experiences; 3. and rotting flesh: how do synaesthetes and non-synaesthetes evaluate sensory experiences? What we found ; 4. 'Yeurgh ': How we investigated synaesthetes' and non-synaesthetes' responses to emotion words and emotive expressions, and what we found; 5. 'I don't like looking at numbers with no discernible pattern': Conclusion.
1. 'Tiny balloons filled with mashed potatoes': what is synaesthesia, and what has it got to do with creativity and metaphor?; 2. 'Those cookies tasted of regret :' how we investigated evaluative descriptions of sensory experiences; 3. and rotting flesh: how do synaesthetes and non-synaesthetes evaluate sensory experiences? What we found ; 4. 'Yeurgh ': How we investigated synaesthetes' and non-synaesthetes' responses to emotion words and emotive expressions, and what we found; 5. 'I don't like looking at numbers with no discernible pattern': Conclusion.
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