Detailed are the travels, self-education, and archaeological explorations of Eugene Boban, an expert in the field of pre-Columbian studies and explores the circumstances that allowed him to sell fakes to museums that would remain undetected for over a century.
Detailed are the travels, self-education, and archaeological explorations of Eugene Boban, an expert in the field of pre-Columbian studies and explores the circumstances that allowed him to sell fakes to museums that would remain undetected for over a century.
Brett Topping has been a professional writer and editor of arts and humanities publications for more than thirty-five years. During her career she was Editor at the American Folklife Center at the Library of Congress, and Director of Publications for the National Museum of Women in the Arts (NMWA).
Inhaltsangabe
List of illustrations Acknowledgments Authors' Note List of Abbreviations Introduction: On the Trail of Crystal Skulls Chapter 1. Caveat Emptor Chapter 2. Between Old World and New Chapter 3. Mexico: Ancient to Modern Chapter 4. Mexico at Mid-Century Chapter 5. The Emperor's Antiquarian: A Collection Takes Shape Chapter 6. Confronting a Different Paris Chapter 7. Marketing a Collection Chapter 8. A Premier Collection Chapter 9. Narratives of Provenance Chapter 10. The Rue du Sommerard Decade¿ Chapter 11. Of Fakes and Fakers Chapter 12. From Student to Teacher: Dealer to Curator Chapter 13. Good Deals and Bad Chapter 14. Back in Business Chapter 15. Fingerprints on Crystal Skulls Chapter 16. Courting the Smithsonian Chapter 17. Of Fakes, Forgers and Frauds Chapter 18. "El Tocayo's" Triumph Chapter 19. Later Life Chapter 20. Afterlife Epilogue References Index
List of illustrations Acknowledgments Authors' Note List of Abbreviations Introduction: On the Trail of Crystal Skulls Chapter 1. Caveat Emptor Chapter 2. Between Old World and New Chapter 3. Mexico: Ancient to Modern Chapter 4. Mexico at Mid-Century Chapter 5. The Emperor's Antiquarian: A Collection Takes Shape Chapter 6. Confronting a Different Paris Chapter 7. Marketing a Collection Chapter 8. A Premier Collection Chapter 9. Narratives of Provenance Chapter 10. The Rue du Sommerard Decade¿ Chapter 11. Of Fakes and Fakers Chapter 12. From Student to Teacher: Dealer to Curator Chapter 13. Good Deals and Bad Chapter 14. Back in Business Chapter 15. Fingerprints on Crystal Skulls Chapter 16. Courting the Smithsonian Chapter 17. Of Fakes, Forgers and Frauds Chapter 18. "El Tocayo's" Triumph Chapter 19. Later Life Chapter 20. Afterlife Epilogue References Index
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