Alejandro Yarza

The Making and Unmaking of Francoist Kitsch Cinema

From Raza to Pan's Labyrinth

• Gebundenes Buch

Produktbeschreibung

'Yarza takes us on a scintillating journey, from the grandiose construction of Francoist kitsch as ideology dreamed on the cinema screen to its puncturing, dismantlement and exorcism in key films. Sustained by brilliant, intuitive close readings, the book also offers the opportunity for wider reflections on the phantoms and residues stalking the construction of Spanish cinema images.' Sarah Wright, Royal Holloway, University of London In Fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's past designed to replace more complex and nuanced accounts. In this Francoist representation religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology. This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced between 1938 and 1964 and three films - by critically acclaimed directors Luis Buñuel, Guillermo del Toro and Álex de la Iglesia - that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés. Alejandro Yarza is Associate Professor in the Department of Spanish and Portuguese and Core Faculty of the Film and Media Studies program at Georgetown University. Cover image: Saturn Devouring His Son, Francisco Goya, 1821/23 © akg-images / Rabatti - Domingie Cover design: Yarza Twins and Paul Smith [EUP logo] edinburghuniversitypress.com ISBN 978-0-7486-9924-7 Barcode

Produktdetails

• Verlag: Edinburgh University Press
• Seitenzahl: 336
• Erscheinungstermin: 15. Dezember 2017
• Englisch
• Abmessung: 239mm x 163mm x 25mm
• Gewicht: 590g
• ISBN-13: 9780748699247
• ISBN-10: 0748699244
• Artikelnr.: 43759208

Autorenporträt

Alejandro Yarza is Associate Professor in the Spanish and Portuguese Department and Core Faculty of the Film and Media Studies program at Georgetown University.

Inhaltsangabe

Preface
Introduction
Chapter 1: The Petrified Tears of General Franco: Kitsch and Fascism in
José Luis Sáenz de Heredia's Raza
Chapter 2: Romancero Marroquí and the Francoist Kitsch Politics of Time
Chapter 3: Los Últimos de Filipinas: the Spatio-Temporal Coordinates of
Francoism
Chapter 4: Surcos: Neorealism, Film Noir and the Puppet Master
Chapter 5: Franco, ese hombre: from Kitsch Artist to Kitsch-Man
Chapter 6: Viridiana: The World, the Flesh, and the Devil
Chapter 7: Balada triste de trompeta: Of Ghosts and Clowns
Chapter 8: Under the Sign of Saturn: The Labyrinth of Moral Choices in
Francoist Spain
Works cited