This book argues that certain works by Michael Moorcock, Iain Sinclair, Penelope Lively, Peter Ackroyd, and J.G. Ballard constitute the coordinates of an altermodernity that might bring to an end the most deleterious effects and affects of today's hyper-aggressive strain of capitalism.
This book argues that certain works by Michael Moorcock, Iain Sinclair, Penelope Lively, Peter Ackroyd, and J.G. Ballard constitute the coordinates of an altermodernity that might bring to an end the most deleterious effects and affects of today's hyper-aggressive strain of capitalism.
Grant Hamilton is Associate Professor of English Literature at the Chinese University of Hong Kong. He teaches and researches in the areas of twentieth-century world literatures in English and literary theory.
Inhaltsangabe
Introduction: Writing London at the end of capitalism Chapter 1: Michael Moorcock's Mother London and the viscous city Chapter 2: Iain Sinclair's Downriver and the allure of the I-city Chapter 3: Penelope Lively's City of the Mind and the simultaneous city Chapter 4: Peter Ackroyd's Hawksmoor and the churches of absolute space Chapter 5: J. G. Ballard's Crash and the seduction of objects Conclusion: The coordinates of an altermodernity
Introduction: Writing London at the end of capitalism Chapter 1: Michael Moorcock's Mother London and the viscous city Chapter 2: Iain Sinclair's Downriver and the allure of the I-city Chapter 3: Penelope Lively's City of the Mind and the simultaneous city Chapter 4: Peter Ackroyd's Hawksmoor and the churches of absolute space Chapter 5: J. G. Ballard's Crash and the seduction of objects Conclusion: The coordinates of an altermodernity
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