The Little Demon - Sologub, Fyodor
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Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature. Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub¿s most famous novel,…mehr

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Produktbeschreibung
Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature. Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub¿s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol¿s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader.
Autorenporträt
Fyodor Sologub (Russian: ¿¿¿¿¿ ¿¿¿¿¿¿¿¿, born Fyodor Kuzmich Teternikov, Russian: ¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿, also known as Theodor Sologub; 1 March 1863 ¿ 5 December 1927) was a Russian Symbolist poet, novelist, translator, playwright and essayist. He was the first writer to introduce the morbid, pessimistic elements characteristic of European fin de siècle literature and philosophy into Russian prose.
Rezensionen
A novel that reigns supreme - or anti-supreme, if one prefers - in the black arts game Boston Globe