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The Lee Shore (Esprios Classics) - Macaulay, Rose
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Dame Emilie Rose Macaulay, DBE (1 August 1881 - 30 October 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly influenced by Virginia Woolf; she also wrote biographies and travelogues. Macaulay began writing her first novel, Abbots Verney (published 1906), after leaving Somerville and while living with her parents at Ty Isaf, near Aberystwyth, in Wales. Later…mehr

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Produktbeschreibung
Dame Emilie Rose Macaulay, DBE (1 August 1881 - 30 October 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly influenced by Virginia Woolf; she also wrote biographies and travelogues. Macaulay began writing her first novel, Abbots Verney (published 1906), after leaving Somerville and while living with her parents at Ty Isaf, near Aberystwyth, in Wales. Later novels include The Lee Shore (1912), Potterism (1920), Dangerous Ages (1921), Told by an Idiot (1923), And No Man's Wit (1940), The World My Wilderness (1950), and The Towers of Trebizond (1956).
Autorenporträt
Dame Emilie Rose Macaulay (1881 - 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly-influenced by Virginia Woolf; she also wrote biographies and travelogues. The Towers of Trebizond, her final novel, is generally regarded as her masterpiece. Strongly autobiographical, it treats with wistful humor and deep sadness the attractions of mystical Christianity and the irremediable conflict between adulterous love and the demands of the Christian faith. For this work, she received the James Tait Black Memorial Prize in 1956.