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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for…mehr

Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
EDWARD LEAR (1812-1888), was a British writer and artist, who created landscape paintings, nonsense verse, and the illustration of birds and reptiles. He was Queen Victoria's private drawing master and given a place in the Poet's Corner in Westminster Abbey. As a naturalist painter, his work is often compared to the bird paintings of Gould and Audubon, who both worked with Lear. As a writer, Lear's humorous alphabets and wordplay influenced such twentieth-century writers as Shel Silverstein, Ogden Nash, and Laura Richards.