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Focussing on the work of Hannah Arendt, the author traces the emergence of a critical aesthetics of judgment in a group of writers - often hard to place in the 'between' of modernism and contemporary writing - including Elizabeth Bowen, Muriel Spark, Iris Murdoch and Martha Gellhorn.

Produktbeschreibung
Focussing on the work of Hannah Arendt, the author traces the emergence of a critical aesthetics of judgment in a group of writers - often hard to place in the 'between' of modernism and contemporary writing - including Elizabeth Bowen, Muriel Spark, Iris Murdoch and Martha Gellhorn.
Autorenporträt
Lyndsey Stonebridge is Professor of Literature and Critical Theory at the University of East Anglia. She is the author of The Writing of Anxiety: Imagining Wartime in 1940s British Culture (Palgrave, 2007); The Destructive Element: British Psychoanalysis and Modernism (Macmillan, 1998) and the co-editor (with Marina Mackay) of British Fiction after Modernism: The Novel at Mid-Century (Palgrave, 2006) and (with John Phillips) of Reading Melanie Klein (Routledge, 1998).