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Susan Burney (1755-1800), daughter of the music historian Charles Burney and sister of the novelist Frances (Fanny) Burney, was a knowledgeable enthusiast for music, particularly for opera, with the ability to capture vividly musical life and the personalities involved in it. Her extensive journals and letters, a selection from which is presented here, provide a striking portrait of social, domestic and cultural life in London, the Home Counties and in Ireland in the late eighteenth century. They are of the greatest importance and interest to musicologists and historians.

Produktbeschreibung
Susan Burney (1755-1800), daughter of the music historian Charles Burney and sister of the novelist Frances (Fanny) Burney, was a knowledgeable enthusiast for music, particularly for opera, with the ability to capture vividly musical life and the personalities involved in it. Her extensive journals and letters, a selection from which is presented here, provide a striking portrait of social, domestic and cultural life in London, the Home Counties and in Ireland in the late eighteenth century. They are of the greatest importance and interest to musicologists and historians.
Autorenporträt
Philip Olleson is Emeritus Professor of Historical Musicology in the Department of Music at the University of Nottingham, UK. He has written extensively on the social history of music in England in the late eighteenth and early nineteenth centuries. Among his previous publications are The Letters of Samuel Wesley: Professional and Social Correspondence, 1797-1837 (2001), Samuel Wesley (1766-1837): A Source Book (2001) (with Michael Kassler), and Samuel Wesley: The Man and his Music (2003).