Martin A. Ruehl is Lecturer in German intellectual history at the Faculty of Modern and Medieval Languages and a Fellow of Trinity Hall, University of Cambridge. His publications include Quentin Skinner: Visionen des Politischen (2009, edited with M. Heinz), A Poet's Reich: Politics and Culture in the George Circle (2011, edited with M. Lane), and Hitler - Films from Germany: History, Cinema and Politics since 1945 (2012, edited with K. Machtans).
Inhaltsangabe
List of illustrations Acknowledgements 1. Introduction: Quattrocento Florence and what it means to be modern 2. Ruthless Renaissance: Burckhardt, Nietzsche and the violent birth of the modern self 3. Death in Florence: Thomas Mann and the ideologies of Renaissancismus 4. 'The first modern man on the throne': Reich, race and rule in Ernst Kantorowicz's Frederick the Second 5. The Renaissance reclaimed: Hans Baron's case for Bürgerhumanismus 6. Conclusion: the waning of the Renaissance - death and afterlife of an idea Bibliography Index.
List of illustrations Acknowledgements 1. Introduction: Quattrocento Florence and what it means to be modern 2. Ruthless Renaissance: Burckhardt, Nietzsche and the violent birth of the modern self 3. Death in Florence: Thomas Mann and the ideologies of Renaissancismus 4. 'The first modern man on the throne': Reich, race and rule in Ernst Kantorowicz's Frederick the Second 5. The Renaissance reclaimed: Hans Baron's case for Bürgerhumanismus 6. Conclusion: the waning of the Renaissance - death and afterlife of an idea Bibliography Index.
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