Lawrence Bennett is Professor Emeritus of Music and former Chair of the Music Department at Wabash College. He founded the Western Wind, a vocal ensemble that has toured professionally throughout North America, Europe, and Asia.
Lawrence Bennett is Professor Emeritus of Music and former Chair of the Music Department at Wabash College. He founded the Western Wind, a vocal ensemble that has toured professionally throughout North America, Europe, and Asia.
Lawrence Bennett is Professor Emeritus of Music and former Chair of the Music Department at Wabash College. He founded the Western Wind, a vocal ensemble that has toured professionally throughout North America, Europe, and Asia.
Inhaltsangabe
Preface List of Bibliographical Abbreviations List of RISM Sigla 1. Introduction The Role of Music in the Daily Lives of the Habsburgs The Scope of the Book The Secondary Literature The Cantata Terminology Forerunners of the Cantata in Vienna Part I: The Cantata in Vienna, 1658-1700 2. The Political and Cultural Milieu Historical Background Leopold I as Patron and Composer Habsburg Music Chapels, 1658-1700 Occasions, Places of Performance, and Performers Librettists 3. The Composers Composers Who May Have Written Cantatas for Vienna During the Early Reign of Leopold I Antonio and Carlo Draghi Filippo Vismarri Carlo Cappellini Giovanni Battista Pederzuoli Antonio Maria and Giovanni Buonaventura Viviani German-Speaking Composers 4. Repertoire and Sources The Repertoire The Sources 5. Text and Music Antonio Maria Viviani Antonio Bertali Filippo Vismarri Carlo Cappellini Giovanni Battista Pederzuoli Antonio and Carlo Draghi Part II: The Cantata in Vienna, 1700-1711 6. The Political and Cultural Milieu Historical Background Joseph I as Patron and Composer Cultural Growth Habsburg Music Chapels, 1700-1711 Genre Designations Occasions, Places of Performance, and Performers Librettists and Librettos 7. The Composers Carlo Agostino Badia Giovanni Bononcini Marc'Antonio Ziani Attilio Ariosti Antonio Maria Bononcini Composers Who May Have Written Cantatas for Vienna 8. Repertoire and Sources New Interest in the Cantata The Repertoire of Cantatas by Habsburg Composers Sources 9. Style Overview The Style Transition Broad Structural Plans Selection of Voices Instrumentation Dynamics Recitative and Arioso Aria Keys Continuum (Tempo/Meter) The Use of Devisen Aria Designs 10. Aspects of Form The Conventional Da Capo Design Variants from the Conventional Design Articulation of Form 11. Melody, Harmony, and Rhythm Melody Harmony Surface Rhythm Changes in Timbre 12. The Relationship of Text and Music The Text and Its Influence upon the Musical Design The Interactions of the Text with Melody and Rhythm Tone Color and Dynamics Descriptive Treatment of the Text Affective Treatment of the Text 13. Conclusion: The Interregnum and Its Aftermath The End of the War of the Spanish Succession The Fate of the Cantata Composers and Librettists Who Served Joseph I The Cantatas by Composers Residing in Vienna During the Interregum Appendix A: Index of Cantata Text Incipits and Sources Appendix B: Catalogue Raisonné of Viennese Cantata Sources Appendix C: Texts of Arias Analyzed in Chapters 10-12 Notes Bibliography
Preface List of Bibliographical Abbreviations List of RISM Sigla 1. Introduction The Role of Music in the Daily Lives of the Habsburgs The Scope of the Book The Secondary Literature The Cantata Terminology Forerunners of the Cantata in Vienna Part I: The Cantata in Vienna, 1658-1700 2. The Political and Cultural Milieu Historical Background Leopold I as Patron and Composer Habsburg Music Chapels, 1658-1700 Occasions, Places of Performance, and Performers Librettists 3. The Composers Composers Who May Have Written Cantatas for Vienna During the Early Reign of Leopold I Antonio and Carlo Draghi Filippo Vismarri Carlo Cappellini Giovanni Battista Pederzuoli Antonio Maria and Giovanni Buonaventura Viviani German-Speaking Composers 4. Repertoire and Sources The Repertoire The Sources 5. Text and Music Antonio Maria Viviani Antonio Bertali Filippo Vismarri Carlo Cappellini Giovanni Battista Pederzuoli Antonio and Carlo Draghi Part II: The Cantata in Vienna, 1700-1711 6. The Political and Cultural Milieu Historical Background Joseph I as Patron and Composer Cultural Growth Habsburg Music Chapels, 1700-1711 Genre Designations Occasions, Places of Performance, and Performers Librettists and Librettos 7. The Composers Carlo Agostino Badia Giovanni Bononcini Marc'Antonio Ziani Attilio Ariosti Antonio Maria Bononcini Composers Who May Have Written Cantatas for Vienna 8. Repertoire and Sources New Interest in the Cantata The Repertoire of Cantatas by Habsburg Composers Sources 9. Style Overview The Style Transition Broad Structural Plans Selection of Voices Instrumentation Dynamics Recitative and Arioso Aria Keys Continuum (Tempo/Meter) The Use of Devisen Aria Designs 10. Aspects of Form The Conventional Da Capo Design Variants from the Conventional Design Articulation of Form 11. Melody, Harmony, and Rhythm Melody Harmony Surface Rhythm Changes in Timbre 12. The Relationship of Text and Music The Text and Its Influence upon the Musical Design The Interactions of the Text with Melody and Rhythm Tone Color and Dynamics Descriptive Treatment of the Text Affective Treatment of the Text 13. Conclusion: The Interregnum and Its Aftermath The End of the War of the Spanish Succession The Fate of the Cantata Composers and Librettists Who Served Joseph I The Cantatas by Composers Residing in Vienna During the Interregum Appendix A: Index of Cantata Text Incipits and Sources Appendix B: Catalogue Raisonné of Viennese Cantata Sources Appendix C: Texts of Arias Analyzed in Chapters 10-12 Notes Bibliography
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