Enrique Fernández is a professor of Spanish at the University of Manitoba.
Inhaltsangabe
List of Illustrations Acknowledgments Summary of La Celestina (c. 1499) Introduction: The Visual Culture of Celestina Five hundred years of images of Celestina The methodological frame of visual studies Organization of the book 1. Illustrating Celestina The first period of illustrated editions of LC (1499 to 1616) Fadrique de Basilea's Comedia de Calisto y Melibea (Burgos, 1499?) The iconographic program of the early illustrations LC title pages The second period of illustrated editions of LC (1842-present) Conclusions: Two periods, two readings 2. Painting Celestina Images of procuresses before LC Dutch painting: Celestina and the Prodigal Son From Goya to Picasso and beyond Conclusion: Reimagining Celestina 3. Advertising Celestina Promotional images of Celestina: Book covers, playbills, and posters LC covers Posters, playbills, and lobby cards Conclusion: Celestina through the prism of advertising Conclusion: Kaleidoscopic Celestina Illustrations Notes Bibliography Secondary sources cited Old edition of LC cited Modern edition of LC cited Images cited Index
List of Illustrations Acknowledgments Summary of La Celestina (c. 1499) Introduction: The Visual Culture of Celestina Five hundred years of images of Celestina The methodological frame of visual studies Organization of the book 1. Illustrating Celestina The first period of illustrated editions of LC (1499 to 1616) Fadrique de Basilea's Comedia de Calisto y Melibea (Burgos, 1499?) The iconographic program of the early illustrations LC title pages The second period of illustrated editions of LC (1842-present) Conclusions: Two periods, two readings 2. Painting Celestina Images of procuresses before LC Dutch painting: Celestina and the Prodigal Son From Goya to Picasso and beyond Conclusion: Reimagining Celestina 3. Advertising Celestina Promotional images of Celestina: Book covers, playbills, and posters LC covers Posters, playbills, and lobby cards Conclusion: Celestina through the prism of advertising Conclusion: Kaleidoscopic Celestina Illustrations Notes Bibliography Secondary sources cited Old edition of LC cited Modern edition of LC cited Images cited Index
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