The Image of a Drawn Sword - Brooke, Jocelyn
22,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
payback
11 °P sammeln
  • Broschiertes Buch

The calm of Reynard Langrish's quietly predictable life is shattered when, on a night of rain-swept storm, a stranger - a young soldier called Captain Archer - appears at his remote Kentish cottage. He takes Langrish to an ancient hill fort and introduces him to the men under his command, all of whom share a mysterious tattoo - two snakes entwined around a drawn sword - and are engaged in preparations to defend against a nameless menace, referred to only as 'the Emergency'. As the dreamlike narrative rapidly accelerates into Kafkaesque nightmare, Langrish is drawn into a world where illusion,…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
The calm of Reynard Langrish's quietly predictable life is shattered when, on a night of rain-swept storm, a stranger - a young soldier called Captain Archer - appears at his remote Kentish cottage. He takes Langrish to an ancient hill fort and introduces him to the men under his command, all of whom share a mysterious tattoo - two snakes entwined around a drawn sword - and are engaged in preparations to defend against a nameless menace, referred to only as 'the Emergency'. As the dreamlike narrative rapidly accelerates into Kafkaesque nightmare, Langrish is drawn into a world where illusion, paranoia, and reality unite with lethal consequences, and disorienting shifts of time and perception culminate in a terrifying moment of pure horror. Originally published in 1950, The Image of a Drawn Sword is steeped in the themes and images that occupy much of Brooke's writing - the relentlessness of time, suppressed homosexuality, condemned love, self-hatred, and futility; and, above all, an England that was both real and uniquely his own, a mystical, half-known natural world. 'In its way not inferior to Kafka . . . [it has] a haunting, sinister quality' - Anthony Powell 'Seldom have naturalism and fantasy been more strangely merged' - Elizabeth Bowen 'He is subtle as the devil' - John Betjeman 'The skill and intensity of the writing made peculiarly haunting this cry of complaint on behalf of a bewildered Man' - Pamela Hansford Johnson, Daily Telegraph
Autorenporträt
Jocelyn Brooke was born in 1908 on the south coast, and took to the educational process with reluctance. He contrived to run away from public school twice within a fortnight, but then settled, to his own mild surprise, at Bedales before going to Worcester College, Oxford, where his career as an undergraduate was unspectacular. He worked in London for a while, then in the family wine-merchants in Folkestone, but this and other ventures proved variously unsatisfactory. In 1939, Brooke enlisted in the Royal Army Medical Corps, and reenlisted after the war as a Regular: `Soldiering,¿ he wrote, `had become a habit.¿ The critical success of The Military Orchid (1948), the first volume of his Orchid trilogy, provided the opportunity to buy himself out, and he immediately settled down to write, publishing some fifteen titles between 1948 and 1955, including the successive volumes of the trilogy, A Mine of Serpents (1949) and The Goose Cathedral (1950). His other published work includes two volumes of poetry, December Spring (1946) and The Elements of Death (1952), the novels The Image of a Drawn Sword (1950) and The Dog at Clambercrown (1955), as well as some technical works on botany. Jocelyn Brooke died in 1966.