The Iconography of Islamic Art Studies in Honour of Robert Hillenbrand Edited by Bernard O'Kane People have been searching for meaning in Islamic art for centuries. This book explores the iconography of Islamic art, presenting a diverse range of approaches to the subject. Despite this variety, there is an overarching theme: the linking of the interpretation of objects to textual sources. This results in a collection of in-depth studies of motifs as diverse as the peacock, trees, and the figure holding a cup and branch. In addition, new interpretations are presented of other objects, such as an Abuyyid metal basin or Mongol paintings. Textual sources on the Ka'ba or the use of marble provide a starting point for the examination of objects and their relationship to history. The architectural decoration of monuments from Egypt to India is analysed, and Arab and Safavid paintings are mined for meaning. Links with Christian elements in Sicily or Buddhist stupas are appraised. Generously illustrated throughout, this book will appeal to all those with an interest in Islamic art, architecture and iconography. Bernard O'Kane is Professor of Islamic Art and Architecture at the American University in Cairo. He is the author of Timurid Architecture in Khurasan (1987), Studies in Persian Art and Architecture (1996) and Early Persian Painting (2003); and the editor of Treasures of Islamic Art in the Museums of Cairo (2006). Cover image: Portrait of Sultan Husayn Mirza, c.1500-1525, attributed to Bihzad Reproduced courtesy of the Arthur M. Sackler Museum, Harvard University Art Museums, gift of John Goelet, formerly in the collection of Louis J. Cartier Photographer: Peter Siegel © President and Fellows of Harvard College