The Historiography of African-American Music - Cipriani, Daniel
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Historians have written on African-American music, and its related genres for quite some time. Since the publication of Amiri Baraka's great work, Blues People, historians, as well as ethnomusicologists and cultural theorists, have discussed the essentialist qualities against the malleability of music. In this analysis I will present his work, its importance, and its impact and how modern scholars use it or move away from it when writing on these genres. The newest genre in the form of Hip-Hop culture, mostly through Rap music, is the same, yet it's also new as a post-Civil Rights and Black Power Era music with a whole new breath of interpretation.…mehr

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Produktbeschreibung
Historians have written on African-American music, and its related genres for quite some time. Since the publication of Amiri Baraka's great work, Blues People, historians, as well as ethnomusicologists and cultural theorists, have discussed the essentialist qualities against the malleability of music. In this analysis I will present his work, its importance, and its impact and how modern scholars use it or move away from it when writing on these genres. The newest genre in the form of Hip-Hop culture, mostly through Rap music, is the same, yet it's also new as a post-Civil Rights and Black Power Era music with a whole new breath of interpretation.
Autorenporträt
Daniel Benjamin Cipriani. I was born in Petach Tikva, Israel and was raised in the city of Tel-Aviv in Israel until the age of twelve. completed my schooling in Connecticut, and then I attended the City University of New York City at Brooklyn College. There I completed my BA and MA with a focus in History and a minor in Judaic Studies.