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Charlotte Perkins Gilman (1860-1935) stands as a seminal figure in American literature and feminist thought. A writer, lecturer, and social reformer, Gilman's body of work traverses fiction, non-fiction, and poetry, comprising an articulate vision of women's rights and societal reform. Gilman is perhaps most renowned for 'The Herland Trilogy,' which includes 'Moving the Mountain' (1911), 'Herland' (1915), and 'With Her in Ourland' (1916). These works epitomize utopian feminist literature, delineating a vision of a world where gender equality prevails. 'Herland,' the centerpiece, envisions an isolated society composed entirely of women who reproduce through parthenogenesis, exploring themes of gender, culture, and education. Gilman's writing is characterized by its daring reformist ideas and its clear, persuasive, and accessible style. Beyond these utopian works, Gilman's short story 'The Yellow Wallpaper' (1892) remains a core text in the study of American literature and gender studies, illustrating her profound concern with the oppressive roles prescribed to women in the 19th-century patriarchal society. Gilman's work presaged future feminist scholarship and continues to inspire readers with its progressive ideas and its challenge to social norms. She remains a cornerstone of American feminist literary tradition, her works serving as essential readings for an understanding of early feminist thought and the advancement of women's rights.