Musicals reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences.
Musicals reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences.
Second Edition, New edition, Second Edition, New e
Seitenzahl: 302
Erscheinungstermin: 14. Februar 2020
Englisch
Abmessung: 225mm x 152mm x 20mm
Gewicht: 434g
ISBN-13: 9781978807112
ISBN-10: 1978807112
Artikelnr.: 56973147
Autorenporträt
WARREN HOFFMAN, PhD, is the author of The Passing Game: Queering Jewish American Culture. He has worked professionally in the theater for more than ten years as a program director, producer, theater critic, and playwright.
Inhaltsangabe
Contents Preface to the Second Edition Overture: All Singin’! All Dancin’! All White People? Act One: 1927–1957 1 Only Make Believe: Performing Race in Show Boat 2 Playing Cowboys and Indians: Forging Whiteness in Oklahoma! and Annie Get Your Gun 3 Trouble in New York City: The Racial Politics of West Side Story and The Music Man Act Two: 1967–2019 4 Carbon Copies: Black and Interracial Productions of White Musicals 5 A Chorus Line: The Benetton of Broadway Musicals 6 Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century 7 Blockbuster Musicals in the Age of Obama: The Book of Mormon and Hamilton Exit Music Acknowledgments Notes Bibliography Permissions Index
Contents Preface to the Second Edition Overture: All Singin’! All Dancin’! All White People? Act One: 1927–1957 1 Only Make Believe: Performing Race in Show Boat 2 Playing Cowboys and Indians: Forging Whiteness in Oklahoma! and Annie Get Your Gun 3 Trouble in New York City: The Racial Politics of West Side Story and The Music Man Act Two: 1967–2019 4 Carbon Copies: Black and Interracial Productions of White Musicals 5 A Chorus Line: The Benetton of Broadway Musicals 6 Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century 7 Blockbuster Musicals in the Age of Obama: The Book of Mormon and Hamilton Exit Music Acknowledgments Notes Bibliography Permissions Index
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