The Grand Design - Dos Passos, John
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John Dos Passos’s literary response to Franklin Delano Roosevelt’s New Deal, The Grand Design critiques the gargantuan growth of bureaucracy in Washington during the Great Depression and World War II. The satiric novel conveys the author’s frustration with federal overreach and the hollow rhetoric that sells it to the people.   “War is a time of Caesars,” writes Dos Passos as he laments the death of idealistic, intelligent enterprises at the desks of elitist administrators. After witnessing the Spanish Civil War claim so many well-intentioned men, he advises caution for America’s New Dealers:…mehr

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Produktbeschreibung
John Dos Passos’s literary response to Franklin Delano Roosevelt’s New Deal, The Grand Design critiques the gargantuan growth of bureaucracy in Washington during the Great Depression and World War II. The satiric novel conveys the author’s frustration with federal overreach and the hollow rhetoric that sells it to the people.   “War is a time of Caesars,” writes Dos Passos as he laments the death of idealistic, intelligent enterprises at the desks of elitist administrators. After witnessing the Spanish Civil War claim so many well-intentioned men, he advises caution for America’s New Dealers: “Some things we have learned, but not enough; there is more to learn. Today we must learn to found again in freedom our republic.”
Autorenporträt
John Roderigo Dos Passos (b.1896, d.1970) was a writer, painter, and political activist. He wrote over forty books, including plays, poetry, novels, biographies, histories, and memoirs. He crafted over four hundred drawings, watercolors, and other artworks. Dos Passos considered himself foremost a writer of contemporary chronicles. He chose the moniker of "chronicler" because he was happiest working at the edge of fiction and nonfiction. Both genres benefited from his mastery of observation—his "camera eye"—and his sense of historical context. Dos Passos sought to ground fiction in historic detail and working-class, realistic dialogue. He invented a multimedia format of newsreels, songs, biographies, and autobiography to convey the frenzy of 20th century America’s industrialism and urbanism. His most memorable fiction—Three Soldiers (1920), Manhattan Transfer (1925), U.S.A. (1938)—possesses the authority of history and the allure of myth. Likewise, he sought to vitalize nonfiction history and reportage with the colors, sounds, and smells documented on his journeys across the globe.