This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.
This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.
Jacqueline E. Jung is Assistant Professor of Medieval Art and Architecture in the Department of History of Art at Yale University, Connecticut. She is the author of articles in The Art Bulletin, Gesta, and numerous anthologies and catalogs both in the United States and Germany, as well as the translator of several seminal art historical writings, most notably Aloïs Riegl's Historical Grammar of the Visual Arts (2004).
Inhaltsangabe
Introduction Part I. The Screen as Sculpture: 1. The choir screen as partition 2. The choir screen as bridge 3. The choir screen as frame Part II. The Sculpture on the Screen: 4. Women, men, and the social order 5. Jews, Christians, and the question of the individual 6. Nobles, peasants, and the vernacular mode Epilogue.
Introduction Part I. The Screen as Sculpture: 1. The choir screen as partition 2. The choir screen as bridge 3. The choir screen as frame Part II. The Sculpture on the Screen: 4. Women, men, and the social order 5. Jews, Christians, and the question of the individual 6. Nobles, peasants, and the vernacular mode Epilogue.
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